|
gptkbp:instance_of
|
gptkb:Twilight
gptkb:song
gptkb:film
|
|
gptkbp:adaptation
|
Stage play.
Graphic novel.
|
|
gptkbp:adapted_into
|
Original story.
|
|
gptkbp:air_date
|
1964-05-24
1964-05-01
|
|
gptkbp:aired_on
|
gptkb:CBS
|
|
gptkbp:album
|
gptkb:The_Best_of_The_Band
|
|
gptkbp:aspect_ratio
|
1.37:1
|
|
gptkbp:audience
|
gptkb:N/_A
|
|
gptkbp:available_on
|
gptkb:DVD
gptkb:Blu-ray
|
|
gptkbp:awards
|
gptkb:N/_A
Nominated for an Emmy.
|
|
gptkbp:based_on
|
gptkb:N/_A
|
|
gptkbp:box_office
|
gptkb:unknown
gptkb:N/_A
|
|
gptkbp:budget
|
gptkb:unknown
|
|
gptkbp:character
|
Floyd
Taro
|
|
gptkbp:character_development
|
gptkb:complex
Floyd's transformation.
Taro's backstory.
|
|
gptkbp:chart_position
|
gptkb:Top_10
|
|
gptkbp:cinematography
|
gptkb:Ghislain_Cloquet
|
|
gptkbp:cinematography_by
|
gptkb:John_F._Seitz
gptkb:George_T._Clemens
|
|
gptkbp:color
|
black and white
|
|
gptkbp:contains_twist_ending
|
gptkb:Yes
|
|
gptkbp:costume_design
|
gptkb:N/_A
|
|
gptkbp:country
|
gptkb:France
gptkb:United_States
|
|
gptkbp:critical_analysis
|
gptkb:N/_A
|
|
gptkbp:critical_reception
|
Mixed reviews
mixed
|
|
gptkbp:cultural_impact
|
gptkb:N/_A
Explores themes of guilt and prejudice.
|
|
gptkbp:cultural_significance
|
Addresses racial tensions.
|
|
gptkbp:depicts
|
Moral dilemmas.
|
|
gptkbp:design
|
gptkb:N/_A
|
|
gptkbp:directed_by
|
gptkb:Robert_Parrish
|
|
gptkbp:director
|
gptkb:David_A._R._White
gptkb:Louis_Malle
|
|
gptkbp:distributor
|
gptkb:Angel_Studios
gptkb:CIC
gptkb:CBS
|
|
gptkbp:edited_by
|
Yvonne Martin
|
|
gptkbp:editing
|
Monique Fardoulis
|
|
gptkbp:editor
|
gptkb:Carl_Kress
|
|
gptkbp:episode_number
|
gptkb:36
|
|
gptkbp:featured_in
|
Retrospectives on the series.
The Twilight Zone documentary.
The Twilight Zone marathon.
|
|
gptkbp:features
|
gptkb:Neville_Brand
gptkb:George_Takei
Psychological tension.
|
|
gptkbp:film_editing
|
gptkb:N/_A
|
|
gptkbp:film_festival
|
gptkb:N/_A
|
|
gptkbp:film_score
|
gptkb:N/_A
|
|
gptkbp:film_series
|
gptkb:N/_A
|
|
gptkbp:filming_location
|
gptkb:France
Black and white.
|
|
gptkbp:followed_by
|
gptkb:The_Twilight_Zone:_The_Movie
|
|
gptkbp:follows
|
gptkb:N/_A
|
|
gptkbp:genre
|
gptkb:rock
gptkb:science_fiction
gptkb:drama
|
|
gptkbp:has_awards
|
gptkb:None
|
|
gptkbp:has_character
|
gptkb:Fletcher
Taro
|
|
gptkbp:has_cultural_impact
|
gptkb:Yes
|
|
gptkbp:has_fan_base
|
gptkb:Yes
|
|
gptkbp:has_legacy
|
Influenced later works.
|
|
gptkbp:has_merchandise
|
gptkb:Yes
|
|
gptkbp:has_soundtrack
|
gptkb:Marius_Constant
|
|
gptkbp:historical_context
|
gptkb:N/_A
|
|
gptkbp:home_media_release
|
gptkb:N/_A
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Encounter
|
|
gptkbp:included
|
Top episodes lists.
|
|
gptkbp:influenced
|
Horror genre.
Science fiction genre.
Later science fiction works.
Contemporary anthology series.
Future anthology series.
Later television anthologies.
Modern science fiction.
|
|
gptkbp:influenced_by
|
gptkb:N/_A
World War II events
Japanese-American internment.
|
|
gptkbp:influences
|
gptkb:French_New_Wave
|
|
gptkbp:inspiration
|
Rod Serling's experiences.
|
|
gptkbp:inspired
|
Academic discussions.
Documentaries on race relations.
Parody episodes.
The Twilight Zone revival.
|
|
gptkbp:inspired_by
|
gptkb:N/_A
Rod Serling's experiences.
|
|
gptkbp:is_analyzed_in
|
Cultural studies.
Academic papers.
Media studies.
Books on television.
|
|
gptkbp:is_available_in
|
Multiple languages.
|
|
gptkbp:is_available_on
|
gptkb:DVD
gptkb:Blu-ray
gptkb:Streaming_services
|
|
gptkbp:is_celebrated_in
|
Fan conventions.
Television retrospectives.
|
|
gptkbp:is_cited_in
|
Film studies.
Cultural critiques.
|
|
gptkbp:is_considered
|
A classic episode.
A significant episode in television history.
A thought-provoking episode.
|
|
gptkbp:is_discussed_in
|
Film analysis.
Podcasts.
Film criticism.
Television history.
You Tube analyses.
|
|
gptkbp:is_explored_in
|
Academic studies.
|
|
gptkbp:is_influential_in
|
Science fiction genre.
|
|
gptkbp:is_notable_for
|
Its moral dilemmas.
Its character development.
Its psychological tension.
|
|
gptkbp:is_part_of
|
gptkb:The_Twilight_Zone_franchise
|
|
gptkbp:is_popular_in
|
Among fans of the series.
|
|
gptkbp:is_recognized_by
|
The Twilight Zone fan community.
|
|
gptkbp:is_referenced_in
|
Various media.
|
|
gptkbp:is_set_in
|
The United States.
|
|
gptkbp:is_studied_in
|
Film and media courses.
|
|
gptkbp:label
|
Music Records
|
|
gptkbp:language
|
gptkb:French
English
|
|
gptkbp:language_spoken
|
Philosophical discussions about war.
|
|
gptkbp:legacy
|
gptkb:N/_A
Considered a classic episode.
|
|
gptkbp:length
|
3:45
|
|
gptkbp:main_actor
|
gptkb:David_A._R._White
gptkb:Jason_Mac
gptkb:John_Schneider
|
|
gptkbp:makeup_artist
|
gptkb:N/_A
|
|
gptkbp:music
|
gptkb:Georges_Delerue
gptkb:Gustave_Samyn
|
|
gptkbp:music_by
|
gptkb:Marius_Constant
|
|
gptkbp:narrative
|
gptkb:Yes
non-linear
|
|
gptkbp:notable_awards
|
gptkb:N/_A
|
|
gptkbp:notable_for
|
Exploring themes of war and prejudice.
|
|
gptkbp:notable_quote
|
" You can't escape your past."
|
|
gptkbp:notable_scene
|
gptkb:N/_A
|
|
gptkbp:original_network
|
gptkb:CBS
|
|
gptkbp:part_of_series
|
gptkb:The_Twilight_Zone
|
|
gptkbp:performed_by
|
gptkb:The_Band
|
|
gptkbp:plot
|
A man meets a woman in a remote location.
A World War II veteran meets a Japanese soldier in a mysterious attic.
|
|
gptkbp:preceded_by
|
gptkb:The_Bewitchin'_Pool
|
|
gptkbp:precedes
|
gptkb:N/_A
|
|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival
The Twilight Zone series finale.
|
|
gptkbp:produced_by
|
gptkb:CBS_Television_Network
|
|
gptkbp:producer
|
gptkb:Jane_Smith
|
|
gptkbp:production_company
|
gptkb:Angel_Studios
gptkb:CBS_Television_Network
gptkb:N/_A
|
|
gptkbp:rating
|
gptkb:N/_A
|
|
gptkbp:recognized_by
|
The Television Academy.
|
|
gptkbp:release_date
|
1970-01-01
1958-05-14
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_year
|
gptkb:1958
gptkb:1970
gptkb:2002
|
|
gptkbp:released_in
|
gptkb:2021
|
|
gptkbp:remake
|
gptkb:N/_A
The Twilight Zone: The Movie segment.
|
|
gptkbp:runtime
|
90 minutes
25 minutes
|
|
gptkbp:screenplay
|
gptkb:Louis_Malle
|
|
gptkbp:season
|
gptkb:5
|
|
gptkbp:sequel
|
gptkb:N/_A
|
|
gptkbp:series
|
gptkb:The_Twilight_Zone
|
|
gptkbp:set_in
|
Attic
|
|
gptkbp:setting
|
An attic in a house
|
|
gptkbp:sound_design
|
gptkb:N/_A
|
|
gptkbp:soundtrack
|
gptkb:N/_A
|
|
gptkbp:special_effects
|
gptkb:N/_A
|
|
gptkbp:starring
|
gptkb:Katherine_Kath
gptkb:Neville_Brand
gptkb:George_Takei
gptkb:Jean-Paul_Belmondo
gptkb:Marina_Vlady
gptkb:Jean-Pierre_Cassel
gptkb:Henri_Serre
|
|
gptkbp:symbolism
|
The attic as a metaphor.
|
|
gptkbp:theme
|
Guilt and redemption
Confrontation with the past.
|
|
gptkbp:themes
|
gptkb:existentialism
|
|
gptkbp:viewership
|
Aired during prime time.
|
|
gptkbp:viewing_format
|
gptkb:N/_A
|
|
gptkbp:visual_effects
|
gptkb:N/_A
|
|
gptkbp:writer
|
gptkb:David_A._R._White
gptkb:John_Doe
|
|
gptkbp:written_by
|
gptkb:Rod_Serling
|
|
gptkbp:written_in
|
Screenplay format.
|
|
gptkbp:bfsParent
|
gptkb:Bill_Viola
gptkb:Roni_Horn
gptkb:The_Twilight_Zone
gptkb:The_National_Gallery_of_Australia
gptkb:Henri_Cartier-Bresson
gptkb:Julian_Opie
gptkb:Tino_Sehgal
gptkb:Martha
|
|
gptkbp:bfsLayer
|
4
|