gptkbp:instanceOf
|
film
|
gptkbp:awards
|
Best_Director_at_Cannes
|
gptkbp:cinematographyBy
|
gptkb:Robbie_Ryan
|
gptkbp:country
|
gptkb:Denmark
|
gptkbp:directedBy
|
gptkb:Lars_von_Trier
|
gptkbp:distributor
|
Filmcoopi Zürich
|
gptkbp:editedBy
|
Kirsten B. Høgsberg
|
gptkbp:features
|
gptkb:Michael_Elphick
gptkb:Udo_Kier
Bodil Jørgensen
Søren Pilmark
Kirsten Olesen
|
gptkbp:follows
|
The_Kingdom
|
gptkbp:genre
|
crime
|
gptkbp:hasGoals
|
gptkb:Dogville
gptkb:Zentropa
gptkb:The_House_That_Jack_Built
Breaking the Waves
Dancer in the Dark
Nymphomaniac
Melancholia
Epidemic
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Element of Crime
|
gptkbp:influenced
|
avant-garde film
art cinema
modern psychological thrillers
|
gptkbp:influencedBy
|
gptkb:German_Expressionism
|
gptkbp:language
|
Danish
|
gptkbp:musicBy
|
Peter_Peter
|
gptkbp:notableFeature
|
black and white
experimental techniques
symbolic imagery
dreamlike sequences
high contrast lighting
non-linear_narrative
|
gptkbp:notableFor
|
its surrealistic style
|
gptkbp:premieredOn
|
gptkb:Cannes_Film_Festival
|
gptkbp:producedBy
|
gptkb:Palle_Lydolph
|
gptkbp:releaseYear
|
1984
|
gptkbp:runtime
|
103 minutes
|
gptkbp:screenplayBy
|
gptkb:Lars_von_Trier
|
gptkbp:setIn
|
a dystopian future
|
gptkbp:theme
|
murder
guilt
psychological trauma
|