|
gptkbp:instance_of
|
gptkb:artwork
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:The_National_Roman_Museum
gptkb:Neo-Classicism
gptkb:Museo_di_Palazzo_Venezia
gptkb:Vatican_Museums
gptkb:Jeff_Beal
gptkb:National_Roman_Museum
|
|
gptkbp:art_movement
|
gptkb:Hellenistic_art
|
|
gptkbp:art_style
|
naturalism
contrapposto stance
use of drapery
|
|
gptkbp:artist
|
gptkb:unknown
|
|
gptkbp:artistic_influence
|
highly valued in art collections
influenced Renaissance artists
|
|
gptkbp:artistic_legacy
|
remains a subject of study
|
|
gptkbp:associated_with
|
gptkb:the_Roman_Empire
the Hellenistic period
|
|
gptkbp:audience
|
adult viewers
|
|
gptkbp:awards
|
nominated for several independent film awards
|
|
gptkbp:based_on
|
a play by Craig Lucas
|
|
gptkbp:box_office
|
$1.2 million
|
|
gptkbp:character
|
gptkb:Catherine
gptkb:David
Jeffrey
|
|
gptkbp:character_arc
|
Catherine's struggle with her past
David's moral dilemmas
Jeffrey's journey of self-discovery
|
|
gptkbp:character_development
|
complex characters
|
|
gptkbp:cinematography
|
gptkb:Michael_E._D._Brown
|
|
gptkbp:commissioned
|
unknown patrons
|
|
gptkbp:constructed_in
|
the Hellenistic era
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
icon of classical art
significant in art history
discussed in film studies
|
|
gptkbp:cultural_significance
|
important in understanding Hellenistic culture
|
|
gptkbp:current_use
|
well-preserved
|
|
gptkbp:depicted_in
|
permanent exhibitions
international exhibitions
|
|
gptkbp:depicts
|
gptkb:a_dying_Gallic_warrior
a dying warrior
|
|
gptkbp:dimensions
|
approximately 1.5 meters tall
approximately 2.5 meters tall
|
|
gptkbp:director
|
gptkb:Craig_Lucas
|
|
gptkbp:discovered_by
|
the 17th century
the 19th century
found in a Roman villa
|
|
gptkbp:distributor
|
gptkb:Magnolia_Pictures
|
|
gptkbp:editor
|
gptkb:David_Leonard
|
|
gptkbp:exemplifies
|
Hellenistic realism
|
|
gptkbp:exhibited_at
|
various art museums worldwide
|
|
gptkbp:exhibition
|
displayed in various museums
|
|
gptkbp:exhibits
|
emotional expression
dynamic movement
|
|
gptkbp:famous_for
|
emotional expression
|
|
gptkbp:film_festival
|
gptkb:Sundance_Film_Festival_2005
|
|
gptkbp:film_score
|
gptkb:Mark_Suozzo
|
|
gptkbp:filming_location
|
gptkb:Borough
|
|
gptkbp:filmography
|
gptkb:David_Leonard
|
|
gptkbp:genre
|
gptkb:High_School
|
|
gptkbp:historical_context
|
reflects the cultural conflicts of the time
created during the Hellenistic period
reflects the conflicts between Greeks and Gauls
|
|
gptkbp:historical_impact
|
remains a key work in art history.
|
|
gptkbp:historical_period
|
gptkb:Classical_antiquity
|
|
gptkbp:historical_significance
|
represents the defeat of the Gauls by the Romans
reflects cultural interactions
represents Hellenistic art
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Dying Gaul
|
|
gptkbp:influence
|
inspired later artworks
inspired later Renaissance artists
|
|
gptkbp:influenced
|
neoclassical art
neoclassical art movements
|
|
gptkbp:influenced_by
|
Greek art traditions
Greek artistic traditions
|
|
gptkbp:influences
|
gptkb:mythological_figure
art history
modern relationships
|
|
gptkbp:inspiration
|
inspired modern sculptures
the Dying Gaul sculpture
|
|
gptkbp:inspired
|
modern sculptures
|
|
gptkbp:is_considered
|
a masterpiece of ancient art
|
|
gptkbp:is_found_in
|
in a tomb in Pergamon
|
|
gptkbp:is_part_of
|
the history of sculpture
a larger sculptural group
|
|
gptkbp:is_recognized_by
|
a cultural treasure
|
|
gptkbp:is_referenced_in
|
literature and art critiques
|
|
gptkbp:is_represented_in
|
various art history texts
|
|
gptkbp:is_symbolic_of
|
the struggle against fate
|
|
gptkbp:is_used_in
|
artistic education
|
|
gptkbp:is_valued_for
|
its historical context
|
|
gptkbp:language
|
English
|
|
gptkbp:located_in
|
a burial site
|
|
gptkbp:location
|
gptkb:Capitoline_Museums
gptkb:Rome,_Italy
gptkb:Museo_Capitolino
|
|
gptkbp:material
|
gptkb:item
|
|
gptkbp:medium
|
gptkb:item
|
|
gptkbp:music_by
|
gptkb:Mark_Suozzo
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:notable_artists
|
the round
|
|
gptkbp:notable_feature
|
intricate details
depicts a non-Greek subject
|
|
gptkbp:notable_features
|
realistic anatomy
|
|
gptkbp:notable_for
|
its emotional depth
|
|
gptkbp:origin
|
gptkb:Ancient_Greece
|
|
gptkbp:part_of
|
the collection of the Capitoline Museums
the Pergamon Museum collection
|
|
gptkbp:plot
|
A screenwriter becomes involved in a love triangle with a producer and a young man.
|
|
gptkbp:portrayed_by
|
defeat and valor
defeat and despair
|
|
gptkbp:premiere
|
gptkb:film_festival
|
|
gptkbp:production_company
|
gptkb:Magnolia_Pictures
|
|
gptkbp:related_to
|
gptkb:the_Gallic_Wars
|
|
gptkbp:related_works
|
gptkb:The_Gaul_Killing_Himself_and_His_Wife
|
|
gptkbp:release_date
|
January 21, 2005
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_year
|
gptkb:2005
|
|
gptkbp:represents
|
gptkb:the_Gauls
the theme of heroism in defeat
|
|
gptkbp:reproduction
|
numerous copies exist
|
|
gptkbp:research_interest
|
subject of numerous studies
|
|
gptkbp:restoration
|
the 20th century
|
|
gptkbp:runtime
|
101 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Craig_Lucas
|
|
gptkbp:significance
|
its portrayal of human emotion
|
|
gptkbp:starring
|
gptkb:Patricia_Clarkson
gptkb:Peter_Sarsgaard
gptkb:Campbell_Scott
|
|
gptkbp:style
|
gptkb:Hellenistic_art
Hellenistic style
|
|
gptkbp:subject
|
numerous studies
|
|
gptkbp:symbolism
|
symbol of defeat
|
|
gptkbp:symbolizes
|
heroism and tragedy
|
|
gptkbp:technique
|
high relief sculpture
|
|
gptkbp:theme
|
gptkb:TV_series
gptkb:betrayal
gptkb:military_operation
love
|
|
gptkbp:venerated_in
|
gptkb:art_historians
|
|
gptkbp:visitors
|
intense
thought-provoking
emotionally charged
|
|
gptkbp:written_in
|
art history books
|
|
gptkbp:year_created
|
circa 230-220 BC
|