gptkbp:instanceOf
|
gptkb:poetry
|
gptkbp:author
|
gptkb:Rainer_Maria_Rilke
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gptkbp:completedIn
|
February 1922
|
gptkbp:compositionPeriod
|
1912–1922
|
gptkbp:countryOfOrigin
|
gptkb:Austria
|
gptkbp:dedicatedTo
|
gptkb:Princess_Marie_von_Thurn_und_Taxis
|
gptkbp:firstPublished
|
1923
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gptkbp:form
|
free verse
|
gptkbp:genre
|
elegy
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Duino Elegies
|
gptkbp:influenced
|
20th-century poetry
|
gptkbp:influencedBy
|
gptkb:Friedrich_Nietzsche
gptkb:theology
|
gptkbp:language
|
gptkb:German
|
gptkbp:notableQuote
|
For beauty is nothing but the beginning of terror
|
gptkbp:publisher
|
gptkb:Insel_Verlag
|
gptkbp:relatedWork
|
gptkb:Sonnets_to_Orpheus
|
gptkbp:setting
|
Duino Castle, Italy
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gptkbp:significance
|
major work of modernist poetry
|
gptkbp:structure
|
ten long poems
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gptkbp:subject
|
spiritual longing
the human condition
metaphysical questions
|
gptkbp:theme
|
gptkb:Angel
beauty
death
existentialism
human suffering
love
transcendence
|
gptkbp:translatedInto
|
gptkb:David_Young
gptkb:Stephen_Mitchell
English
Edward Snow
|
gptkbp:verseNumber
|
10
|
gptkbp:writtenBy
|
gptkb:Duino_Castle
|
gptkbp:bfsParent
|
gptkb:Philippe_Jaccottet
|
gptkbp:bfsLayer
|
7
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