|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
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gptkbp:bfsLayer
|
4
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|
gptkbp:bfsParent
|
gptkb:Nine_Films_and_Television
gptkb:The_Best_American_Mystery_Stories_2005
gptkb:Melbourne_International_Film_Festival
gptkb:Australian_Film_Industry
gptkb:AACTA_Award_for_Best_Film
gptkb:Bruna_Papandrea
|
|
gptkbp:adaptation
|
gptkb:film
|
|
gptkbp:author
|
gptkb:Jane_Harper
|
|
gptkbp:awards
|
gptkb:Australian_Book_Industry_Award
gptkb:Australian_Academy_of_Cinema_and_Television_Arts_Awards
gptkb:Film_Critics_Circle_of_Australia_Awards
|
|
gptkbp:based_on
|
The Dry (novel)
Novel by Jane Harper
|
|
gptkbp:box_office
|
$5.5 million
|
|
gptkbp:cast
|
gptkb:Eric_Bana
|
|
gptkbp:character_arc
|
redemption
|
|
gptkbp:character_development
|
gptkb:launch_complex
|
|
gptkbp:character_relationships
|
supportive
strained
antagonistic
|
|
gptkbp:cinematography
|
gptkb:D._P._Mc_Culloch
|
|
gptkbp:climax
|
revelation of truth
|
|
gptkbp:color
|
gptkb:color
|
|
gptkbp:conflict
|
confrontation
personal and professional
|
|
gptkbp:country
|
gptkb:Australia
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_significance
|
Australian identity
|
|
gptkbp:directed_by
|
gptkb:Robert_Connolly
|
|
gptkbp:director
|
gptkb:Robert_Connolly
|
|
gptkbp:distributor
|
gptkb:Roadshow_Films
|
|
gptkbp:edited_by
|
gptkb:Scott_Gray
|
|
gptkbp:genre
|
gptkb:Thriller
gptkb:mythological_figure
gptkb:film
Crime Fiction
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Dry
|
|
gptkbp:impact
|
high
|
|
gptkbp:influences
|
Australian literature
|
|
gptkbp:is_critical_for
|
depicts rural life
explores themes of isolation
examines human behavior
|
|
gptkbp:is_motivated_by
|
gptkb:justice
gptkb:survival
truth
|
|
gptkbp:isbn
|
978-1-5098-0000-0
978-1-76029-285-0
|
|
gptkbp:language
|
English
|
|
gptkbp:literary_devices
|
flashbacks
foreshadowing
|
|
gptkbp:main_character
|
gptkb:Aaron_Falk
Federal Police Officer
|
|
gptkbp:motif
|
gptkb:Community_Center
gptkb:family
secrets
|
|
gptkbp:music_by
|
gptkb:Harry_Gregson-Williams
|
|
gptkbp:narrative_style
|
limited
third-person
|
|
gptkbp:page_count
|
gptkb:368
|
|
gptkbp:plot
|
gptkb:Detective
|
|
gptkbp:premiered_on
|
gptkb:Melbourne_International_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Robert_Connolly
Liz Watts
|
|
gptkbp:published_by
|
gptkb:2016
|
|
gptkbp:publisher
|
gptkb:Pan_Macmillan
gptkb:Macmillan
|
|
gptkbp:reader_demographic
|
high
emotional
adult
thought-provoking
suspenseful
|
|
gptkbp:release_year
|
gptkb:2020
|
|
gptkbp:released_in
|
gptkb:2020
|
|
gptkbp:resolution
|
closure for characters
|
|
gptkbp:runtime
|
117 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Robert_Connolly
|
|
gptkbp:sequel
|
gptkb:Force_of_Nature
|
|
gptkbp:series
|
Aaron Falk series
|
|
gptkbp:set_in
|
gptkb:Australia
|
|
gptkbp:setting
|
gptkb:Australia
Australian Outback
present day
|
|
gptkbp:starring
|
gptkb:Sam_Corlett
gptkb:Eric_Bana
gptkb:Genevieve_O'_Reilly
gptkb:Keir_O'_Donnell
|
|
gptkbp:style
|
descriptive
|
|
gptkbp:symbolism
|
gptkb:beach
|
|
gptkbp:themes
|
gptkb:betrayal
gptkb:Community_Center
grief
|