|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:film
|
|
gptkbp:author
|
gptkb:Jane_Harper
|
|
gptkbp:awards
|
gptkb:Australian_Book_Industry_Award
gptkb:Australian_Academy_of_Cinema_and_Television_Arts_Awards
gptkb:Film_Critics_Circle_of_Australia_Awards
|
|
gptkbp:based_on
|
Novel by Jane Harper
|
|
gptkbp:based_on_work
|
The Dry (novel)
|
|
gptkbp:book_series
|
Aaron Falk series
|
|
gptkbp:box_office
|
$5.5 million
|
|
gptkbp:cast
|
gptkb:Eric_Bana
|
|
gptkbp:character_arc
|
redemption
|
|
gptkbp:character_development
|
gptkb:complex
|
|
gptkbp:character_motivation
|
gptkb:justice
gptkb:survival
truth
|
|
gptkbp:character_relationships
|
supportive
strained
antagonistic
|
|
gptkbp:cinematography_by
|
gptkb:D._P._Mc_Culloch
|
|
gptkbp:climax
|
revelation of truth
|
|
gptkbp:color
|
gptkb:Color
|
|
gptkbp:conflict
|
confrontation
personal and professional
|
|
gptkbp:country
|
gptkb:Australia
|
|
gptkbp:critical_analysis
|
depicts rural life
explores themes of isolation
examines human behavior
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_significance
|
Australian identity
|
|
gptkbp:directed_by
|
gptkb:Robert_Connolly
|
|
gptkbp:director
|
gptkb:Robert_Connolly
|
|
gptkbp:distributor
|
gptkb:Roadshow_Films
|
|
gptkbp:edited_by
|
gptkb:Scott_Gray
|
|
gptkbp:genre
|
gptkb:Thriller
gptkb:mystery
gptkb:thriller
Crime Fiction
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Dry
|
|
gptkbp:impact
|
high
|
|
gptkbp:influences
|
Australian literature
|
|
gptkbp:isbn
|
978-1-5098-0000-0
978-1-76029-285-0
|
|
gptkbp:language
|
English
|
|
gptkbp:literary_devices
|
flashbacks
foreshadowing
|
|
gptkbp:main_character
|
gptkb:Aaron_Falk
|
|
gptkbp:motif
|
gptkb:family
gptkb:community
secrets
|
|
gptkbp:music_by
|
gptkb:Harry_Gregson-Williams
|
|
gptkbp:narrative
|
limited
|
|
gptkbp:narrative_style
|
third-person
|
|
gptkbp:page_count
|
gptkb:368
|
|
gptkbp:plot
|
gptkb:murder_mystery
|
|
gptkbp:premiered_on
|
gptkb:Melbourne_International_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Robert_Connolly
Liz Watts
|
|
gptkbp:protagonist
|
Federal Police Officer
|
|
gptkbp:published_in
|
gptkb:2016
|
|
gptkbp:publisher
|
gptkb:Pan_Macmillan
gptkb:Macmillan
|
|
gptkbp:reader_demographic
|
high
emotional
adult
thought-provoking
suspenseful
|
|
gptkbp:release_year
|
gptkb:2020
|
|
gptkbp:released_in
|
gptkb:2020
|
|
gptkbp:resolution
|
closure for characters
|
|
gptkbp:runtime
|
117 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Robert_Connolly
|
|
gptkbp:sequel
|
gptkb:Force_of_Nature
|
|
gptkbp:set_in
|
gptkb:Australia
|
|
gptkbp:setting
|
gptkb:Australia
Australian Outback
|
|
gptkbp:setting_time
|
present day
|
|
gptkbp:starring
|
gptkb:Sam_Corlett
gptkb:Eric_Bana
gptkb:Genevieve_O'_Reilly
gptkb:Keir_O'_Donnell
|
|
gptkbp:symbolism
|
gptkb:drought
|
|
gptkbp:themes
|
gptkb:betrayal
gptkb:friendship
grief
|
|
gptkbp:writing_style
|
descriptive
|
|
gptkbp:bfsParent
|
gptkb:Bleecker_Street_Media
gptkb:Cecchi_Gori_Group
gptkb:Nine_Films_and_Television
gptkb:The_Best_American_Mystery_Stories_2005
gptkb:Melbourne_International_Film_Festival
gptkb:Australian_Film_Industry
gptkb:Aaron_Falk
|
|
gptkbp:bfsLayer
|
5
|