|
gptkbp:instance_of
|
gptkb:play
gptkb:film
|
|
gptkbp:adapted_for_radio
|
yes
|
|
gptkbp:adapted_into
|
gptkb:film
gptkb:stage_play
|
|
gptkbp:awards
|
gptkb:Olivier_Award
gptkb:BAFTA_Award_for_Best_Film
gptkb:Tony_Award
gptkb:BAFTA_Award_for_Best_Actor
|
|
gptkbp:based_on
|
play by Ronald Harwood
|
|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:character_arc
|
Norman's loyalty
Sir's decline
|
|
gptkbp:character_development
|
gptkb:complex
personal struggles
complex relationships
professional challenges
|
|
gptkbp:character_motivation
|
gptkb:survival
fear
ambition
|
|
gptkbp:character_relationships
|
gptkb:conflict
gptkb:friendship
mentor-mentee
|
|
gptkbp:characters
|
gptkb:Norman
gptkb:Sir
|
|
gptkbp:cinematography_by
|
gptkb:David_Watkin
|
|
gptkbp:country
|
gptkb:United_Kingdom
|
|
gptkbp:critical_reception
|
positive
positive reviews
|
|
gptkbp:cultural_impact
|
gptkb:significant
inspired stage adaptations
discussions on acting and performance
influenced later films about theater
|
|
gptkbp:cultural_significance
|
explores the human condition
reflects on the nature of performance
|
|
gptkbp:directed_by
|
gptkb:Peter_Yates
|
|
gptkbp:distributor
|
gptkb:20th_Century_Fox
|
|
gptkbp:edited_by
|
gptkb:John_Bloom
|
|
gptkbp:explores_themes
|
gptkb:performance
gptkb:identity
duty
|
|
gptkbp:film_editing
|
gptkb:1983
gptkb:1998
gptkb:Anthony_Hopkins
gptkb:Ian_Mc_Kellen
|
|
gptkbp:filming_location
|
gptkb:London
gptkb:The_Old_Vic_Theatre
|
|
gptkbp:focus
|
relationship between Norman and Sir
|
|
gptkbp:follows
|
the relationship between a theater director and his dresser
|
|
gptkbp:genre
|
gptkb:drama
|
|
gptkbp:has_adaptation
|
gptkb:multiple_times
|
|
gptkbp:historical_context
|
British theater
theater during wartime
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Dresser
|
|
gptkbp:influenced_by
|
gptkb:Shakespeare
gptkb:Samuel_Beckett
gptkb:World_War_II
World War II history
theater history
theater traditions
real-life actors
the role of the director
|
|
gptkbp:inspired_by
|
Harwood's experiences
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Norman
gptkb:Sir
|
|
gptkbp:music_by
|
gptkb:Richard_Rodney_Bennett
|
|
gptkbp:notable_production
|
gptkb:Royal_National_Theatre
gptkb:West_End
gptkb:Broadway
|
|
gptkbp:notable_quote
|
' The show must go on.'
' I am not a servant.'
" I am not a great actor, but I am a great dresser."
" You are my life."
|
|
gptkbp:performed_by
|
professional theater companies
amateur theater groups
|
|
gptkbp:performed_in
|
multiple languages
|
|
gptkbp:premiered_on
|
gptkb:1980
gptkb:Cannes_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Hugh_Hudson
|
|
gptkbp:released
|
gptkb:1983
|
|
gptkbp:remake
|
gptkb:The_Dresser_(2015)
gptkb:The_Dresser_(stage_adaptation)
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Ronald_Harwood
|
|
gptkbp:set_in
|
gptkb:World_War_II
|
|
gptkbp:setting
|
gptkb:World_War_II
England during World War II
|
|
gptkbp:starring
|
gptkb:Tom_Courtenay
gptkb:Albert_Finney
|
|
gptkbp:symbolism
|
the role of the actor
theater as a refuge
|
|
gptkbp:thematic_element
|
gptkb:loyalty
gptkb:theater
gptkb:war
|
|
gptkbp:themes
|
gptkb:loyalty
gptkb:theater
gptkb:friendship
aging
theater and performance
|
|
gptkbp:viewing_format
|
gptkb:DVD
gptkb:Blu-ray
streaming services
|
|
gptkbp:written_by
|
gptkb:Ronald_Harwood
|
|
gptkbp:bfsParent
|
gptkb:John_Wood
gptkb:Michael_Grandage
gptkb:Dame_Eileen_Atkins
gptkb:Maggie_Smith
gptkb:Steppenwolf_Theatre_Company
gptkb:Richard_Eyre
gptkb:John_Hurt
gptkb:Ian_Mc_Kellen
gptkb:Sir_Ian_Mc_Kellen
|
|
gptkbp:bfsLayer
|
4
|