|
gptkbp:instance_of
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gptkb:play
gptkb:film
|
|
gptkbp:bfsLayer
|
3
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|
gptkbp:bfsParent
|
gptkb:John_Wood
gptkb:Steppenwolf_Theatre_Company
gptkb:Ian_Mc_Kellen
|
|
gptkbp:adaptation
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gptkb:television_series
|
|
gptkbp:adapted_into
|
gptkb:theatre
gptkb:film
|
|
gptkbp:awards
|
gptkb:BAFTA_Award_for_Best_Film
gptkb:award
gptkb:BAFTA_Award_for_Best_Actor
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gptkbp:based_on
|
play by Ronald Harwood
|
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gptkbp:box_office
|
$1.5 million
|
|
gptkbp:character
|
gptkb:Norman
gptkb:mythological_figure
|
|
gptkbp:character_arc
|
Norman's loyalty
Sir's decline
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|
gptkbp:character_development
|
gptkb:launch_complex
personal struggles
complex relationships
professional challenges
|
|
gptkbp:character_relationships
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gptkb:Community_Center
gptkb:military_conflict
mentor-mentee
|
|
gptkbp:cinematography
|
gptkb:David_Watkin
|
|
gptkbp:country
|
gptkb:United_Kingdom
|
|
gptkbp:critical_reception
|
positive
positive reviews
|
|
gptkbp:cultural_impact
|
gptkb:significant
inspired stage adaptations
discussions on acting and performance
influenced later films about theater
|
|
gptkbp:cultural_significance
|
explores the human condition
reflects on the nature of performance
|
|
gptkbp:directed_by
|
gptkb:Peter_Yates
|
|
gptkbp:distributor
|
gptkb:20th_Century_Fox
|
|
gptkbp:edited_by
|
gptkb:John_Bloom
|
|
gptkbp:filming_location
|
gptkb:Borough
gptkb:The_Old_Vic_Theatre
|
|
gptkbp:filmography
|
gptkb:1983
gptkb:1998
gptkb:Anthony_Hopkins
gptkb:Ian_Mc_Kellen
|
|
gptkbp:focus
|
relationship between Norman and Sir
|
|
gptkbp:follows
|
the relationship between a theater director and his dresser
|
|
gptkbp:genre
|
gptkb:High_School
|
|
gptkbp:historical_context
|
British theater
theater during wartime
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Dresser
|
|
gptkbp:influenced_by
|
gptkb:Shakespeare
gptkb:Samuel_Beckett
gptkb:World_War_II
World War II history
theater history
theater traditions
real-life actors
the role of the director
|
|
gptkbp:inspired_by
|
Harwood's experiences
|
|
gptkbp:is_motivated_by
|
gptkb:survival
fear
ambition
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Norman
gptkb:mythological_figure
|
|
gptkbp:music_by
|
gptkb:Richard_Rodney_Bennett
|
|
gptkbp:notable_production
|
gptkb:musical
gptkb:Royal_National_Theatre
gptkb:West_End
|
|
gptkbp:notable_quote
|
' The show must go on.'
' I am not a servant.'
" I am not a great actor, but I am a great dresser."
" You are my life."
|
|
gptkbp:performed_by
|
multiple languages
professional theater companies
amateur theater groups
|
|
gptkbp:premiered_on
|
gptkb:film_festival
gptkb:1980
|
|
gptkbp:produced_by
|
gptkb:Hugh_Hudson
|
|
gptkbp:released
|
gptkb:1983
|
|
gptkbp:remake
|
gptkb:The_Dresser_(2015)
gptkb:The_Dresser_(stage_adaptation)
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Ronald_Harwood
|
|
gptkbp:set_in
|
gptkb:World_War_II
|
|
gptkbp:setting
|
gptkb:World_War_II
England during World War II
|
|
gptkbp:starring
|
gptkb:Tom_Courtenay
gptkb:Albert_Finney
|
|
gptkbp:stations
|
gptkb:battle
|
|
gptkbp:symbolism
|
the role of the actor
theater as a refuge
|
|
gptkbp:thematic_element
|
gptkb:theatre
gptkb:loyalty
gptkb:war
|
|
gptkbp:themes
|
gptkb:benchmark
gptkb:TV_series
gptkb:theatre
gptkb:loyalty
gptkb:Community_Center
aging
duty
theater and performance
|
|
gptkbp:viewing_platform
|
gptkb:DJ
gptkb:film
streaming services
|
|
gptkbp:written_by
|
gptkb:Ronald_Harwood
|