|
gptkbp:instance_of
|
gptkb:artwork
|
|
gptkbp:art_style
|
surrealism
|
|
gptkbp:cinematography_by
|
gptkb:Darius_Khondji
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:created_by
|
gptkb:Matthew_Barney
|
|
gptkbp:cultural_references
|
gptkb:Japanese_art
|
|
gptkbp:duration
|
90 minutes
|
|
gptkbp:edited_by
|
gptkb:Jesse_D._Goins
|
|
gptkbp:explores
|
themes of identity
|
|
gptkbp:features
|
gptkb:performance_art
sculptural elements
|
|
gptkbp:features_song
|
gptkb:Julianna_Barwick
|
|
gptkbp:film_technique
|
high contrast
|
|
gptkbp:follows
|
gptkb:The_Drawing_Restraint_series
|
|
gptkbp:genre
|
gptkb:film
|
|
gptkbp:has_awards
|
gptkb:Best_Experimental_Film
|
|
gptkbp:has_themes
|
gptkb:transformation
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Drawing Restraint 50
|
|
gptkbp:influenced_by
|
gptkb:Japanese_culture
|
|
gptkbp:is_available_on
|
gptkb:DVD
|
|
gptkbp:is_characterized_by
|
slow pacing
|
|
gptkbp:is_considered
|
a cult film
a landmark in contemporary art film.
|
|
gptkbp:is_described_as
|
visually striking
|
|
gptkbp:is_distributed_by
|
gptkb:Kino_International
|
|
gptkbp:is_explored_in
|
gptkb:art_critics
|
|
gptkbp:is_influenced_by
|
performance art traditions
|
|
gptkbp:is_notable_for
|
its use of symbolism
its artistic ambition
|
|
gptkbp:is_noted_for
|
its visual storytelling
|
|
gptkbp:is_part_of
|
gptkb:The_Drawing_Restraint_series
Matthew Barney's oeuvre
|
|
gptkbp:is_related_to
|
gptkb:The_Cremaster_Cycle
|
|
gptkbp:is_reviewed_by
|
gptkb:The_New_York_Times
|
|
gptkbp:is_set_in
|
a remote location
|
|
gptkbp:language
|
English
|
|
gptkbp:medium
|
gptkb:film
|
|
gptkbp:notable_for
|
its unique visual style
|
|
gptkbp:premiered_on
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Matthew_Barney
|
|
gptkbp:release_year
|
gptkb:2006
|
|
gptkbp:screenings
|
gptkb:Museum_of_Modern_Art
|
|
gptkbp:set_in
|
gptkb:Iceland
|
|
gptkbp:bfsParent
|
gptkb:Matthew_Barney
|
|
gptkbp:bfsLayer
|
5
|