|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Prosper_Mérimée
gptkb:New_Yorker_Films
gptkb:Krzysztof_Kieślowski
gptkb:Irène_Jacob
|
|
gptkbp:adaptation
|
gptkb:film
|
|
gptkbp:author
|
gptkb:Krzysztof_Kieślowski
|
|
gptkbp:awards
|
gptkb:Best_Actress
gptkb:César_Award_for_Best_Foreign_Film
gptkb:FIPRESCI_Prize
|
|
gptkbp:box_office
|
$2.5 million
$3.5 million
|
|
gptkbp:budget
|
$2.5 million
|
|
gptkbp:character
|
Véronique
The audience member
The friend
The teacher
The father
The mother
The artist
The stranger
The lover
The composer
The puppeteer
Wéronika
|
|
gptkbp:character_development
|
gptkb:launch_complex
|
|
gptkbp:character_relationships
|
emotional bond
mysterious link
twin-like connection
|
|
gptkbp:cinematography
|
gptkb:Sławomir_Idziak
gptkb:Slawomir_Idziak
|
|
gptkbp:composer
|
gptkb:Zbigniew_Preisner
|
|
gptkbp:country
|
gptkb:Monarch
gptkb:Politician
|
|
gptkbp:critical_reception
|
Highly acclaimed
acclaimed
positive
|
|
gptkbp:cultural_impact
|
gptkb:church
film studies
influential
artistic influence
Influenced filmmakers
|
|
gptkbp:cultural_references
|
French culture
European cinema
Polish culture
|
|
gptkbp:directed_by
|
gptkb:Krzysztof_Kieślowski
|
|
gptkbp:director
|
gptkb:Krzysztof_Kieślowski
|
|
gptkbp:distributor
|
gptkb:MGM
gptkb:New_Yorker_Films
gptkb:Kino_International
|
|
gptkbp:edited_by
|
Jacques Witta
|
|
gptkbp:editor
|
Jacques Witta
|
|
gptkbp:features
|
doppelgänger theme
|
|
gptkbp:film_festival
|
gptkb:film_festival
|
|
gptkbp:filming_location
|
gptkb:Monarch
gptkb:Politician
|
|
gptkbp:filmography
|
gptkb:French
gptkb:The_Lives_of_Others
gptkb:The_Pianist
gptkb:Three_Colors_Trilogy
|
|
gptkbp:follows
|
Véronique
|
|
gptkbp:genre
|
gptkb:Magic:_The_Gathering_set
gptkb:High_School
romance
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Double Life of Véronique
|
|
gptkbp:influenced
|
European cinema
art films
|
|
gptkbp:influenced_by
|
gptkb:philosopher
gptkb:award
gptkb:Fellini
gptkb:Monarch
gptkb:European_art_cinema
gptkb:Bergman
gptkb:psychologist
gptkb:The_Three_Colors_Trilogy
gptkb:Antonioni
|
|
gptkbp:inspiration
|
gptkb:musical
gptkb:literary_work
gptkb:artwork
The Double Life of Véronique (novel)
|
|
gptkbp:language
|
gptkb:French
gptkb:Polish
|
|
gptkbp:main_character
|
Véronique
|
|
gptkbp:music_by
|
gptkb:Zbigniew_Preisner
|
|
gptkbp:narrative_style
|
non-linear
visual storytelling
symbolic imagery
dream sequences
|
|
gptkbp:notable_appearance
|
the final scene
the puppet show
The final scene
The puppet show scene
|
|
gptkbp:philosophy
|
gptkb:Order
existence
free Will
|
|
gptkbp:plot
|
gptkb:two_women
interconnected lives
Two women, one in France and one in Poland, share a mysterious connection.
|
|
gptkbp:produced_by
|
gptkb:Marina_R._B._Kieślowski
|
|
gptkbp:production_company
|
gptkb:Camerimage
Cinematograf
|
|
gptkbp:published_by
|
gptkb:1991
|
|
gptkbp:release_date
|
May 3, 1991
|
|
gptkbp:release_year
|
gptkb:1991
|
|
gptkbp:released_in
|
gptkb:1991
|
|
gptkbp:runtime
|
98 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Krzysztof_Kieślowski
gptkb:Krystyna_Janda
|
|
gptkbp:setting
|
gptkb:Monarch
gptkb:Politician
|
|
gptkbp:soundtrack
|
gptkb:Zbigniew_Preisner
Zbigniew Preisner's music
|
|
gptkbp:starring
|
gptkb:Irène_Jacob
|
|
gptkbp:symbolism
|
gptkb:musical
gptkb:color
mirrors
|
|
gptkbp:theme
|
gptkb:TV_series
gptkb:Educational_Institution
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:loss
gptkb:automobile
gptkb:Duality
love
|