|
gptkbp:instance_of
|
gptkb:television_series
gptkb:theatrical_performances
gptkb:Wrestling
|
|
gptkbp:adaptation
|
gptkb:radio_station
gptkb:stage_play
|
|
gptkbp:adapted_into
|
gptkb:television_series
gptkb:film
|
|
gptkbp:awards
|
gptkb:Saturn_Awards
|
|
gptkbp:based_on
|
the concept of memory and identity
|
|
gptkbp:cancellation_reason
|
low ratings
|
|
gptkbp:championship
|
gptkb:TNA_Knockouts_Championship
|
|
gptkbp:character
|
gptkb:The_Father
gptkb:The_Mother
gptkb:The_Stranger
gptkb:The_Doctor
|
|
gptkbp:character_development
|
Adelle De Witt is the head of the Dollhouse.
Echo evolves throughout the series.
November is a notable character.
Paul Ballard is a significant character.
Topher Brink is a key character.
|
|
gptkbp:created_by
|
gptkb:Joss_Whedon
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
influenced literature
inspired discussions on gender roles
influenced art
influenced film
inspired feminist movements
exploration of gender roles.
discussions on ethics of technology.
influence on discussions of consent.
influence on fan culture.
influence on later sci-fi series.
|
|
gptkbp:debut
|
gptkb:2015
|
|
gptkbp:disbanded
|
gptkb:2016
|
|
gptkbp:fan_base
|
cult following
|
|
gptkbp:filming_location
|
gptkb:California
|
|
gptkbp:finale_date
|
January 29, 2010
|
|
gptkbp:first_aired
|
February 13, 2009
|
|
gptkbp:genre
|
gptkb:science_fiction
gptkb:drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Dollhouse
|
|
gptkbp:influenced
|
modern drama
|
|
gptkbp:influenced_by
|
gptkb:existentialism
posthumanism
absurdist theater
philosophy of identity
|
|
gptkbp:inspired_by
|
real-life events
the concept of a 'dollhouse' as a metaphor
|
|
gptkbp:language
|
English
|
|
gptkbp:last_aired
|
January 29, 2010
|
|
gptkbp:main_character
|
gptkb:Lily
gptkb:Nell
gptkb:Echo
|
|
gptkbp:member
|
gptkb:Jade
gptkb:Taryn_Terrell
gptkb:Marti_Belle
|
|
gptkbp:merchandise
|
gptkb:DVD
gptkb:novel_adaptations
gptkb:comic_book_series
|
|
gptkbp:music_composer
|
gptkb:Joss_Whedon
|
|
gptkbp:network
|
gptkb:Fox
|
|
gptkbp:notable_guest_stars
|
gptkb:Olivia_Williams
gptkb:Fran_Kranz
gptkb:Summer_Glau
gptkb:Alan_Tudyk
gptkb:Dichen_Lachman
|
|
gptkbp:notable_performance
|
2000 revival
2010 revival
1990 revival
1980 revival
1970 revival
|
|
gptkbp:notable_quote
|
“ We are all just dolls in a dollhouse.”
|
|
gptkbp:number_of_episodes
|
gptkb:26
|
|
gptkbp:number_of_seasons
|
2
|
|
gptkbp:original_network
|
gptkb:Fox_Network
|
|
gptkbp:performed_by
|
gptkb:Royal_Court_Theatre
gptkb:theater
|
|
gptkbp:performed_in
|
gptkb:London
gptkb:New_York
|
|
gptkbp:premiered_on
|
gptkb:1958
February 13, 2009
|
|
gptkbp:premise
|
A secret organization that programs people to be whatever their clients want.
|
|
gptkbp:production_company
|
gptkb:Mutant_Enemy_Productions
|
|
gptkbp:promotions
|
gptkb:TNA
|
|
gptkbp:published_by
|
gptkb:Faber_and_Faber
|
|
gptkbp:setting
|
gptkb:Los_Angeles
a suburban home
|
|
gptkbp:spin_off
|
gptkb:none
|
|
gptkbp:symbolism
|
relationships
houses
dolls
|
|
gptkbp:theme
|
gptkb:illusion
gptkb:identity
reality
|
|
gptkbp:themes
|
gptkb:identity
gptkb:memory
free will
exploitation
|
|
gptkbp:translated_into
|
gptkb:French
gptkb:Spanish
gptkb:German
|
|
gptkbp:viewership
|
average 2 million viewers per episode
|
|
gptkbp:written_by
|
gptkb:Harold_Pinter
|
|
gptkbp:bfsParent
|
gptkb:WWE_Smack_Down
gptkb:The_Sandman
gptkb:The_Endless
gptkb:dreams
|
|
gptkbp:bfsLayer
|
4
|