Statements (59)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:film
|
| gptkbp:bfsLayer |
3
|
| gptkbp:bfsParent |
gptkb:Yoshitomo_Nara
|
| gptkbp:country |
gptkb:United_States
|
| gptkbp:directed_by |
Allan Mott
|
| gptkbp:distribution |
gptkb:Gravitas_Ventures
|
| gptkbp:editor |
Allan Mott
|
| gptkbp:exhibition |
gptkb:family
gptkb:John_Wojtowicz friends of John Wojtowicz |
| gptkbp:explores |
themes of love and identity
|
| gptkbp:features |
LGBT themes
|
| gptkbp:filming_location |
gptkb:Borough
|
| gptkbp:filmography |
the 1972 bank robbery
John Wojtowicz's life Allan Mott |
| gptkbp:follows |
the life of John Wojtowicz
|
| gptkbp:genre |
gptkb:film
|
| gptkbp:has_song |
gptkb:David_H._Lawrence_XVII
|
| gptkbp:has_theme |
gptkb:political_movement
family dynamics sexuality crime and punishment |
| https://www.w3.org/2000/01/rdf-schema#label |
The Dog (2013)
|
| gptkbp:is_a |
biographical documentary
|
| gptkbp:is_about |
the 1972 robbery at a Brooklyn bank
|
| gptkbp:is_available_on |
gptkb:streaming_platforms
gptkb:DJ gptkb:film |
| gptkbp:is_part_of |
documentary genre
|
| gptkbp:language |
English
|
| gptkbp:narrated_by |
gptkb:John_Waters
|
| gptkbp:notable_for |
its historical significance
its emotional depth its narrative structure its unique storytelling style its candid interviews its critical reception its relevance to contemporary issues its cultural commentary its artistic approach its influence on future documentaries its archival footage its exploration of masculinity its interviews with key figures its focus on personal stories its critical analysis of media representation its exploration of the 1970s culture its impact on LGBTQ representation in media its portrayal of LGBTQ issues |
| gptkbp:premiered_on |
gptkb:film_festival
|
| gptkbp:produced_by |
gptkb:Mott_Street_Productions
|
| gptkbp:rating |
85% on Rotten Tomatoes
76% on Metacritic 7.0/10 on IM Db |
| gptkbp:received |
critical acclaim
|
| gptkbp:release_date |
gptkb:2013
|
| gptkbp:runtime |
101 minutes
|
| gptkbp:written_by |
Allan Mott
|