|
gptkbp:instance_of
|
gptkb:novel
gptkb:play
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Irving_Thalberg
|
|
gptkbp:adapted_into
|
gptkb:film
original script
|
|
gptkbp:author
|
gptkb:J._M._Barrie
|
|
gptkbp:awards
|
Nominated for Academy Awards
Golden Globe nominations
|
|
gptkbp:based_on
|
a play by John Van Druten
The Devil is a Woman (play)
|
|
gptkbp:box_office
|
gptkb:unknown
$3.5 million
|
|
gptkbp:budget
|
$1.5 million
|
|
gptkbp:character
|
Monsieur D
Mademoiselle M
Monsieur A
Monsieur B
Monsieur C
Monsieur E
Monsieur F
Monsieur G
Monsieur H
Monsieur I
Monsieur J
Monsieur L
Monsieur M
Monsieur N
Monsieur P
Monsieur Q
Monsieur R
Monsieur S
Monsieur T
|
|
gptkbp:character_development
|
gptkb:launch_complex
|
|
gptkbp:cinematography
|
gptkb:Burnett_Guffey
gptkb:John_F._Seitz
|
|
gptkbp:color
|
gptkb:Technicolor
black and white
|
|
gptkbp:country
|
gptkb:United_Kingdom
gptkb:United_States
|
|
gptkbp:critical_reception
|
Mixed reviews
mixed
|
|
gptkbp:cultural_impact
|
gptkb:significant
Rita Hayworth's iconic status
|
|
gptkbp:directed_by
|
gptkb:Joseph_H._Lewis
|
|
gptkbp:director
|
gptkb:Joseph_H._Lewis
|
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
gptkb:Paramount_Pictures
|
|
gptkbp:edited_by
|
gptkb:Doane_Harrison
|
|
gptkbp:editor
|
gptkb:Richard_C._Meyer
|
|
gptkbp:explores
|
power dynamics
gender roles
|
|
gptkbp:features
|
gptkb:betrayal
gptkb:military_conflict
romantic relationships
|
|
gptkbp:followed_by
|
gptkb:The_Little_Minister
|
|
gptkbp:genre
|
gptkb:Author
gptkb:High_School
romance
|
|
gptkbp:home_media_release
|
Released on DVD
Released on Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Devil is a Woman
|
|
gptkbp:influenced
|
subsequent works
|
|
gptkbp:influenced_by
|
gptkb:Politician
surrealism
The Devil is a Woman (novel)
|
|
gptkbp:influences
|
gptkb:film
|
|
gptkbp:inspiration
|
feminist literature
Film adaptations of plays
Film adaptations of novels
Rita Hayworth's performances
|
|
gptkbp:isbn
|
978-1-84749-123-4
|
|
gptkbp:language
|
gptkb:French
English
|
|
gptkbp:legacy
|
Cult classic status
|
|
gptkbp:main_character
|
gptkb:Diana
Mademoiselle M
|
|
gptkbp:music
|
gptkb:George_Duning
|
|
gptkbp:music_by
|
gptkb:Walter_Schumann
|
|
gptkbp:narrative_style
|
third-person
|
|
gptkbp:notable_appearance
|
Dance sequences
Climactic confrontation
Romantic moments
|
|
gptkbp:notable_production
|
gptkb:Comédie-Française
|
|
gptkbp:notable_quote
|
" The devil is a woman."
|
|
gptkbp:page_count
|
320
|
|
gptkbp:performed_by
|
gptkb:theatre
|
|
gptkbp:plot
|
A man becomes infatuated with a beautiful woman who is involved in a dangerous love triangle.
|
|
gptkbp:preceded_by
|
gptkb:The_Twelve_Pound_Look
|
|
gptkbp:premiere
|
gptkb:Borough
|
|
gptkbp:premiered_on
|
1934
|
|
gptkbp:produced_by
|
gptkb:Paramount_Pictures
|
|
gptkbp:published_year
|
gptkb:1930
|
|
gptkbp:publisher
|
gptkb:Hodder_&_Stoughton
|
|
gptkbp:rating
|
Not Rated
|
|
gptkbp:release_date
|
December 1935
April 1955
|
|
gptkbp:release_year
|
gptkb:1935
gptkb:1955
|
|
gptkbp:released_in
|
gptkb:1935
|
|
gptkbp:remake
|
gptkb:The_Devil_is_a_Woman_(remake)
|
|
gptkbp:runtime
|
90 minutes
80 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Charles_Brackett
gptkb:Daniel_Taradash
|
|
gptkbp:setting
|
gptkb:Borough
gptkb:Paris
|
|
gptkbp:soundtrack
|
gptkb:The_Devil_is_a_Woman_(soundtrack_album)
|
|
gptkbp:starring
|
gptkb:Carmen_Sevilla
gptkb:Eugene_Pallette
gptkb:Rita_Hayworth
gptkb:Glenn_Ford
gptkb:Marlene_Dietrich
gptkb:Lionel_Atwill
|
|
gptkbp:style
|
symbolism
|
|
gptkbp:theme
|
gptkb:TV_series
gptkb:betrayal
love
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:philosopher
gptkb:Feminine_Mystique
gptkb:military_operation
love
morality
Love and Betrayal
societal expectations
Desire and Obsession
|
|
gptkbp:written_by
|
gptkb:Jules_Romains
|