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gptkbp:instance_of
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gptkb:film
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gptkbp:bfsLayer
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4
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gptkbp:bfsParent
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gptkb:The_Devil_Is_a_Woman
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gptkbp:allows
|
controversial content
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gptkbp:art_style
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gptkb:Hans_Dreier
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gptkbp:based_on
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The Devil Is a Woman (novel)
The Devil Is a Woman (play)
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gptkbp:box_office
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$1.5 million
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gptkbp:character_appearance
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gptkb:Travis_Banton
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gptkbp:character_development
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complex female characters
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gptkbp:cinematography
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gptkb:Karl_Freund
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gptkbp:color
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black and white
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gptkbp:country
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gptkb:United_States
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gptkbp:critical_reception
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mixed reviews
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gptkbp:cultural_impact
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Marlene Dietrich's persona
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gptkbp:director
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gptkb:Joseph_von_Sternberg
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gptkbp:distributor
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gptkb:Paramount_Pictures
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gptkbp:film_festival
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gptkb:film_festival
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|
gptkbp:film_score
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gptkb:musical_composition
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|
gptkbp:filmography
|
gptkb:architect
gptkb:church
gptkb:Hugh_Wynn
gptkb:museum
gptkb:collection
lighting
symbolism
camera angles
editing style
makeup and hair styling
|
|
gptkbp:genre
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gptkb:High_School
romance
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gptkbp:home_media_release
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gptkb:DJ
gptkb:film
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|
https://www.w3.org/2000/01/rdf-schema#label
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The Devil Is a Woman (1930)
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gptkbp:influence
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Marlene Dietrich's career
Joseph von Sternberg's style
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gptkbp:influenced
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subsequent films about femme fatales
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gptkbp:influenced_by
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silent films
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gptkbp:influences
|
film noir
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|
gptkbp:inspiration
|
feminist film theory
|
|
gptkbp:is_decorated_with
|
gptkb:Robert_Usher
|
|
gptkbp:language
|
English
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|
gptkbp:legacy
|
classic status
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|
gptkbp:music
|
gptkb:Franz_Waxman
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gptkbp:notable_appearance
|
the tango scene
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|
gptkbp:notable_quote
|
" The Devil is a woman, and she is beautiful."
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|
gptkbp:production_company
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gptkb:Paramount_Pictures
|
|
gptkbp:release_date
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November 7, 1930
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|
gptkbp:release_year
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gptkb:1930
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|
gptkbp:remake
|
The Devil Is a Woman (1950)
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|
gptkbp:restoration
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gptkb:Criterion_Collection
|
|
gptkbp:runtime
|
80 minutes
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gptkbp:screenplay_by
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gptkb:Charles_G._Booth
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|
gptkbp:starring
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gptkb:Marlene_Dietrich
gptkb:Edward_Everett_Horton
gptkb:Lionel_Atwill
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|
gptkbp:themes
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gptkb:betrayal
power dynamics
seduction
love and obsession
|