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gptkbp:instance_of
|
gptkb:musical
gptkb:play
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
gptkb:film_adaptations
gptkb:radio_station
gptkb:television_adaptation
gptkb:theater
gptkb:television
gptkb:film
The Devil's Disciple (play)
The Devil's Disciple (TV movie)
The Devil's Disciple (film)
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gptkbp:adapted_into
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gptkb:television
gptkb:film
Shaw's play
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gptkbp:audience
|
not rated
engaging and thought-provoking
mixed audience reviews
provokes thought.
elicits strong emotions.
engages audiences.
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gptkbp:author
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gptkb:George_Bernard_Shaw
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gptkbp:awards
|
gptkb:none
Nominated for several awards
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gptkbp:based_on
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The Devil's Disciple (play)
Play by George Bernard Shaw
play by George Bernard Shaw
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gptkbp:box_office
|
$1.5 million
$1 million
Moderate success
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gptkbp:character
|
gptkb:Dick_Dudgeon
gptkb:General_Burgoyne
gptkb:Richard_Dudgeon
gptkb:Pastor_Anderson
gptkb:Judith_Anderson
Judith Dudgeon
General Burgoyne represents authority.
Judith Anderson is a strong female lead.
Reverend Anthony Anderson
Richard Dudgeon is a rebel.
Mrs. Anderson
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|
gptkbp:character_arc
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gptkb:betrayal
gptkb:heroism
redemption
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gptkbp:character_development
|
Complex characters
complex characters
Richard Dudgeon evolves throughout the play
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gptkbp:character_motivation
|
Dudgeon's desire for freedom
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gptkbp:character_relationships
|
complex dynamics between characters
Dudgeon vs. British authorities
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gptkbp:cinematography
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gptkb:Freddie_Young
gptkb:Robert_Krasker
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gptkbp:climax
|
Dudgeon's decision to stand trial
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gptkbp:color
|
gptkb:Technicolor
black and white
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gptkbp:conflict
|
personal vs. political
loyalty vs. personal beliefs
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gptkbp:country
|
gptkb:United_States
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gptkbp:critical_analysis
|
examined for its social commentary
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gptkbp:critical_reception
|
Mixed reviews
positive
generally positive
mixed reviews
well-received
|
|
gptkbp:cultural_impact
|
influenced theater
influenced later adaptations
Influenced later adaptations
influenced modern plays
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gptkbp:cultural_references
|
references to American history
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gptkbp:cultural_significance
|
examines moral dilemmas.
remains relevant today.
challenges societal norms.
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gptkbp:demographics
|
theatergoers
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gptkbp:director
|
gptkb:Guy_Hamilton
gptkb:G._B._Shaw
gptkb:J._Lee_Thompson
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gptkbp:distributor
|
gptkb:Columbia_Pictures
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gptkbp:editing
|
gptkb:John_D._Guthrie
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gptkbp:editor
|
John Jympson
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gptkbp:famous_quote
|
' I am a disciple of the devil.'
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|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
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gptkbp:film_length
|
100 minutes
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|
gptkbp:film_score
|
gptkb:Miklós_Rózsa
|
|
gptkbp:film_technique
|
cinematic techniques
period drama
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|
gptkbp:filming_location
|
gptkb:England
gptkb:United_Kingdom
gptkb:United_States
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gptkbp:first_performance
|
gptkb:1956
gptkb:Savoy_Theatre
1897
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|
gptkbp:genre
|
gptkb:drama
|
|
gptkbp:has_adaptation
|
stage productions
television adaptations
radio plays
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|
gptkbp:has_been_restored
|
gptkb:multiple_times
|
|
gptkbp:has_influenced
|
modern playwrights
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gptkbp:has_themes
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gptkb:conflict
gptkb:rebellion
freedom
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|
gptkbp:historical_context
|
gptkb:American_Revolution
explores themes of rebellion.
reflects the political climate of the time.
set during the American Revolution.
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|
gptkbp:historical_figures
|
gptkb:Benedict_Arnold
gptkb:George_Washington
gptkb:King_George_III
references to real historical figures
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|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
gptkb:2005
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Devil's Disciple
|
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gptkbp:influence_on
|
subsequent playwrights
|
|
gptkbp:influenced
|
modern films
modern drama
later historical dramas
|
|
gptkbp:influenced_by
|
gptkb:Shakespeare
gptkb:Romanticism
gptkb:Shakespearean_drama
|
|
gptkbp:influences
|
gptkb:Shakespeare
gptkb:Shakespearean_drama
American Revolutionary War themes
Later historical dramas
|
|
gptkbp:inspiration
|
gptkb:historical_events
gptkb:American_history
gptkb:American_Revolutionary_War
gptkb:George_Bernard_Shaw
Shaw's views on war
Shaw's views on morality
George Bernard Shaw's play
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|
gptkbp:inspired_by
|
gptkb:historical_events
|
|
gptkbp:is_available_in
|
gptkb:print
digital format
|
|
gptkbp:is_considered
|
a classic
|
|
gptkbp:is_notable_for
|
its character development
its cultural significance
its emotional impact
its use of irony
its historical context
its dialogue
its use of symbolism
its historical accuracy
its social commentary
its philosophical questions
its critique of society
its exploration of morality
its character arcs
its impact on theater
its exploration of faith
its dramatic structure
its themes of honor
its portrayal of love
its moral dilemmas
its dramatic tension
its exploration of duty
its character relationships
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|
gptkbp:is_part_of
|
Shaw's works
|
|
gptkbp:is_set_in
|
gptkb:New_Hampshire
|
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gptkbp:is_studied_in
|
theater courses
|
|
gptkbp:language
|
English
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|
gptkbp:language_spoken
|
sharp and witty
Witty and sharp
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|
gptkbp:legacy
|
cult classic status
considered a classic.
influenced future playwrights.
part of Shaw's body of work.
Considered a classic TV movie.
considered a classic adaptation
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|
gptkbp:literary_significance
|
important work in Shaw's oeuvre
|
|
gptkbp:main_character
|
gptkb:General_Burgoyne
gptkb:Anthony_Anderson
gptkb:Richard_Dudgeon
gptkb:Judith_Anderson
|
|
gptkbp:motif
|
gptkb:sacrifice
|
|
gptkbp:music
|
gptkb:Miklós_Rózsa
|
|
gptkbp:music_by
|
gptkb:Miklós_Rózsa
|
|
gptkbp:music_style
|
gptkb:historical_fiction
three-act structure
Dudgeon's true nature is misunderstood
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|
gptkbp:narrative_style
|
gptkb:historical_fiction
character-driven narrative.
satirical elements.
sharp dialogue.
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|
gptkbp:notable_awards
|
gptkb:none
|
|
gptkbp:notable_character
|
gptkb:Dick_Dudgeon
gptkb:Judith_Anderson
Reverend Anthony Anderson
|
|
gptkbp:notable_production
|
1959 film adaptation
Royal National Theatre production
1977 television adaptation
|
|
gptkbp:notable_quote
|
" I am a devil's disciple."
" I am a disciple of the devil."
" The devil is a gentleman."
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|
gptkbp:number_of_acts
|
gptkb:3
|
|
gptkbp:original_language
|
English
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|
gptkbp:performance
|
performed worldwide
loose adaptation
some liberties taken
revived multiple times.
performed in various countries.
|
|
gptkbp:performance_style
|
naturalism
realism
naturalistic acting
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|
gptkbp:performed_in
|
gptkb:theater_festivals
internationally
|
|
gptkbp:playwright_background
|
George Bernard Shaw was a prominent playwright.
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|
gptkbp:plot
|
personal sacrifice
revolutionary themes
conflict between loyalty and love
Set during the American Revolutionary War.
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|
gptkbp:premiere
|
gptkb:New_York_City
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gptkbp:premiere_date
|
1897
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|
gptkbp:premiere_location
|
gptkb:New_York_City
|
|
gptkbp:premiered_on
|
1906
|
|
gptkbp:production_company
|
gptkb:Columbia_Pictures
|
|
gptkbp:published_by
|
gptkb:Constable_and_Company
|
|
gptkbp:published_in
|
gptkb:Collected_Plays_of_George_Bernard_Shaw
gptkb:The_New_York_Times
1897
1901
1906
|
|
gptkbp:release_date
|
December 1959
|
|
gptkbp:release_format
|
gptkb:television
theatrical
|
|
gptkbp:release_year
|
gptkb:1959
|
|
gptkbp:remake
|
gptkb:none
The Devil's Disciple (2014)
|
|
gptkbp:resolution
|
gptkb:sacrifice
Dudgeon's fate is revealed
|
|
gptkbp:revival
|
gptkb:2019
gptkb:London
|
|
gptkbp:role
|
gptkb:protagonist
gptkb:antagonist
Anthony Anderson -father figure
Judith Anderson -love interest
Richard Dudgeon -protagonist
|
|
gptkbp:runtime
|
100 minutes
|
|
gptkbp:screenings
|
gptkb:Film_festivals
film festivals
|
|
gptkbp:screenplay
|
gptkb:John_Whiting
gptkb:J._Lee_Thompson
|
|
gptkbp:screenplay_by
|
gptkb:George_Bernard_Shaw
|
|
gptkbp:set_in
|
gptkb:American_Revolutionary_War
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|
gptkbp:setting
|
gptkb:American_Revolutionary_War
American Revolutionary War era.
|
|
gptkbp:sound
|
gptkb:Mono
|
|
gptkbp:soundtrack
|
Miklós Rózsa's score
|
|
gptkbp:starring
|
gptkb:Burt_Lancaster
gptkb:Kirk_Douglas
gptkb:Janet_Leigh
gptkb:Laurence_Olivier
|
|
gptkbp:style
|
satirical
|
|
gptkbp:symbolism
|
the American flag as a symbol of freedom.
the cross as a symbol of sacrifice.
the devil as a metaphor.
the devil as a metaphor for rebellion
|
|
gptkbp:thematic_element
|
individual vs. society
morality and ethics
|
|
gptkbp:theme
|
gptkb:loyalty
gptkb:honor
gptkb:Loyalty
gptkb:identity
gptkb:sacrifice
gptkb:Sacrifice
gptkb:rebellion
conflict between personal beliefs and societal expectations
|
|
gptkbp:themes
|
gptkb:betrayal
gptkb:loyalty
gptkb:identity
gptkb:sacrifice
freedom
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:viewership
|
Television audiences
|
|
gptkbp:written_by
|
gptkb:George_Bernard_Shaw
|
|
gptkbp:bfsParent
|
gptkb:Sir_Arthur_Bliss
gptkb:George_Cukor
gptkb:Joan_Fontaine
gptkb:George_Bernard_Shaw
gptkb:Laurence_Olivier
|
|
gptkbp:bfsLayer
|
4
|