Statements (66)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:film
|
| gptkbp:bfsLayer |
7
|
| gptkbp:bfsParent |
gptkb:The_Desk_Set_(2000_TV_film)
|
| gptkbp:aspect_ratio |
1.85:1.
|
| gptkbp:audience |
Well-received by audiences.
|
| gptkbp:awards |
Nominated for Academy Award for Best Sound.
|
| gptkbp:box_office |
$3 million
|
| gptkbp:character |
gptkb:Mike_Franks
gptkb:Mr._Mc_Ginty gptkb:Ruthie gptkb:Bunny_Watson gptkb:Mr._Hargrove gptkb:Eleanor Margaret Miss Hargrove Miss Mc Ginty Miss Duffy |
| gptkbp:character_arc |
Bunny Watson's growth throughout the film.
|
| gptkbp:character_development |
Focuses on character relationships.
|
| gptkbp:character_relationships |
Explores workplace dynamics.
|
| gptkbp:cinematography |
gptkb:Charles_Lang
|
| gptkbp:color |
Technicolor.
|
| gptkbp:country |
gptkb:United_States
|
| gptkbp:critical_reception |
Positive reviews from critics.
|
| gptkbp:cultural_impact |
Considered a classic romantic comedy.
|
| gptkbp:cultural_references |
Referenced in later media.
|
| gptkbp:cultural_significance |
Represents the transition to the digital age.
|
| gptkbp:design |
Notable for its set design.
|
| gptkbp:director |
gptkb:Walter_Lang
|
| gptkbp:distributor |
gptkb:20th_Century_Fox
|
| gptkbp:editor |
gptkb:Ellsworth_Hoagland
Paced for comedic effect. |
| gptkbp:film_festival |
Screened at various film festivals.
|
| gptkbp:film_score |
Features original score by Frank Loesser.
|
| gptkbp:filming_location |
New York City.
|
| gptkbp:genre |
gptkb:musical
|
| gptkbp:historical_context |
Reflects 1950s workplace dynamics.
|
| gptkbp:home_media_release |
Released on DVD.
Available on Blu-ray. |
| https://www.w3.org/2000/01/rdf-schema#label |
The Desk Set (1957 film)
|
| gptkbp:influenced |
Influenced discussions on automation.
|
| gptkbp:influences |
Influenced later films about technology in the workplace.
|
| gptkbp:inspiration |
Based on a play by the Ephron sisters.
|
| gptkbp:is_critical_for |
Analyzed for its commentary on gender roles.
|
| gptkbp:is_criticized_for |
Praised by film critics.
|
| gptkbp:language |
English
Witty and sharp. |
| gptkbp:legacy |
Part of the Katharine Hepburn and Spencer Tracy film legacy.
|
| gptkbp:music_by |
gptkb:Frank_Loesser
|
| gptkbp:notable_quote |
" I don't want to be a computer!"
|
| gptkbp:plot |
A television network's research department is threatened by the introduction of a computer.
|
| gptkbp:premiere |
New York City premiere.
|
| gptkbp:production_company |
20th Century Fox.
|
| gptkbp:release_date |
gptkb:1957
|
| gptkbp:release_format |
Theatrical release.
|
| gptkbp:remake |
Remade as a television movie in 1999.
Television movie remake features updated technology. |
| gptkbp:runtime |
103 minutes.
|
| gptkbp:screen_size |
Features significant dialogue.
|
| gptkbp:screenplay_by |
Phoebe and Henry Ephron
|
| gptkbp:setting |
New York City.
|
| gptkbp:sound |
Mono.
|
| gptkbp:starring |
gptkb:Spencer_Tracy
gptkb:Katharine_Hepburn |
| gptkbp:theme |
Human vs. machine.
|
| gptkbp:viewership |
Cult following.
|