|
gptkbp:instance_of
|
gptkb:song
gptkb:film
|
|
gptkbp:album
|
gptkb:The_Blue_Notebooks
|
|
gptkbp:aspect_ratio
|
1.85:1
|
|
gptkbp:box_office
|
$1.5 million
$1 million
|
|
gptkbp:budget
|
$1 million
|
|
gptkbp:character
|
gptkb:Jack
gptkb:Megan
gptkb:Sam
gptkb:Eddie
gptkb:Diane
|
|
gptkbp:character_arc
|
Jack's growth
Eddie's struggles
Diane's journey
Megan's choices
Sam's decisions
|
|
gptkbp:character_development
|
Complex characters
|
|
gptkbp:cinematography
|
gptkb:Michael_Spiller
|
|
gptkbp:cinematography_by
|
gptkb:Akiko_Ashizawa
gptkb:Giuseppe_Ruzzolini
|
|
gptkbp:color
|
gptkb:Color
black and white
|
|
gptkbp:composer
|
gptkb:Max_Richter
|
|
gptkbp:country
|
gptkb:Italy
gptkb:Japan
gptkb:United_States
|
|
gptkbp:country_of_origin
|
gptkb:Japan
|
|
gptkbp:critical_reception
|
Positive reviews
mixed reviews
|
|
gptkbp:cultural_impact
|
cult following
Referenced in popular culture
Influenced filmmakers
Cited in film studies
Discussion in film festivals
Analysis in film critiques
|
|
gptkbp:directed_by
|
gptkb:Kiyoshi_Kurosawa
|
|
gptkbp:director
|
gptkb:Alfredo_Giannetti
gptkb:Jesse_Peretz
|
|
gptkbp:distributor
|
gptkb:Shochiku
gptkb:Lions_Gate_Entertainment
Cineriz
|
|
gptkbp:edited_by
|
gptkb:Kiyoshi_Kurosawa
Mario Serandrei
|
|
gptkbp:editing
|
gptkb:Michael_A._Berenbaum
|
|
gptkbp:featured_in
|
gptkb:The_Leftovers
|
|
gptkbp:film_awards
|
gptkb:Best_Actor
gptkb:Best_Director
gptkb:Best_Screenplay
|
|
gptkbp:film_editing
|
gptkb:Kiyoshi_Kurosawa
Mario Serandrei
|
|
gptkbp:film_festival
|
gptkb:Sundance_Film_Festival
|
|
gptkbp:film_series
|
gptkb:N/_A
standalone
|
|
gptkbp:filming_location
|
gptkb:Japan
gptkb:New_Jersey
gptkb:New_York_City
|
|
gptkbp:genre
|
gptkb:comedy
gptkb:drama
Classical
|
|
gptkbp:home_media_release
|
August 5, 2003
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Departure
|
|
gptkbp:influences
|
gptkb:The_Graduate
gptkb:When_Harry_Met_Sally...
gptkb:Annie_Hall
gptkb:Reality_Bites
gptkb:The_Big_Chill
Japanese cinema
Art house films
European cinema
Psychological drama
|
|
gptkbp:instrumentation
|
gptkb:piano
|
|
gptkbp:label
|
gptkb:Fat_Cat_Records
|
|
gptkbp:language
|
gptkb:Italian
gptkb:Japanese
English
|
|
gptkbp:length
|
6:00
|
|
gptkbp:mood
|
Melancholic
|
|
gptkbp:music_by
|
gptkb:Franco_Mannino
gptkb:Yasushi_Ishii
|
|
gptkbp:music_composer
|
gptkb:Theodore_Shapiro
|
|
gptkbp:narrative_style
|
Non-linear
non-linear
|
|
gptkbp:performed_by
|
gptkb:Max_Richter
|
|
gptkbp:plot
|
A man struggles with the loss of his wife.
|
|
gptkbp:premiere
|
gptkb:Sundance_Film_Festival
gptkb:Venice_Film_Festival
|
|
gptkbp:premiered_on
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Kiyoshi_Kurosawa
|
|
gptkbp:production_company
|
gptkb:Kino_Films
gptkb:Lions_Gate_Films
gptkb:CinecittÃ
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:release_date
|
2011-05-12
January 18, 2003
|
|
gptkbp:release_format
|
gptkb:DVD
gptkb:Blu-ray
theatrical
|
|
gptkbp:release_year
|
gptkb:1957
gptkb:2003
|
|
gptkbp:released
|
gptkb:2004
|
|
gptkbp:released_in
|
gptkb:2011
|
|
gptkbp:runtime
|
100 minutes
90 minutes
139 minutes
|
|
gptkbp:screenplay
|
gptkb:Jesse_Peretz
|
|
gptkbp:screenplay_by
|
gptkb:Alfredo_Giannetti
gptkb:Kiyoshi_Kurosawa
|
|
gptkbp:sound
|
gptkb:Dolby_Digital
|
|
gptkbp:soundtrack
|
gptkb:Theodore_Shapiro
|
|
gptkbp:starring
|
gptkb:Rie_Miyazawa
gptkb:Giorgio_Albertazzi
gptkb:Kumiko_Aso
gptkb:Gina_Rovere
gptkb:Amy_Adams
gptkb:Jean_Marais
gptkb:Tadanobu_Asano
gptkb:Michael_Rapaport
gptkb:Michele_Morgan
gptkb:Donal_Logue
Tina Lattanzi
|
|
gptkbp:theme
|
gptkb:loss
gptkb:friendship
love
self-discovery
|
|
gptkbp:themes
|
gptkb:loss
gptkb:identity
gptkb:memory
gptkb:family
grief
|
|
gptkbp:viewing_format
|
gptkb:Streaming_services
Theatrical release
Home media
|
|
gptkbp:writer
|
gptkb:Jesse_Peretz
|
|
gptkbp:bfsParent
|
gptkb:Spirited_Away
gptkb:The_Terminal_soundtrack
gptkb:Henri_Cartier-Bresson
|
|
gptkbp:bfsLayer
|
4
|