Statements (109)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:play
|
| gptkbp:adaptation |
gptkb:television
gptkb:film 2019 Broadway revival 2019 film adaptation 2015 film adaptation |
| gptkbp:adaptation_year |
gptkb:1985
gptkb:2000 gptkb:2015 gptkb:2019 |
| gptkbp:adapted_into |
gptkb:film_adaptation
gptkb:musical gptkb:video_games gptkb:musical_adaptation gptkb:film gptkb:recordings graphic novels radio plays Miller himself |
| gptkbp:awards |
gptkb:Tony_Award_for_Best_Play
gptkb:Pulitzer_Prize_for_Drama |
| gptkbp:character |
gptkb:Happy_Loman
gptkb:Ben_Loman gptkb:Linda_Loman gptkb:Biff_Loman |
| gptkbp:character_development |
Biff Loman's realization
Happy Loman's ambition Willy Loman's decline |
| gptkbp:character_relationships |
Willy Loman -Biff Loman
Willy Loman -Happy Loman Willy Loman -Linda Loman |
| gptkbp:conflict |
identity crisis
father-son relationship Willy Loman vs. self Willy Loman vs. society |
| gptkbp:critical_reception |
widely acclaimed
considered a classic |
| gptkbp:cultural_impact |
performed worldwide
influenced literature influenced art influenced film influenced music studied in schools adapted into various languages influenced American theater |
| gptkbp:explores |
mental health issues
disillusionment family dynamics identity crisis economic struggles |
| gptkbp:first_performance |
gptkb:1949
|
| gptkbp:genre |
gptkb:tragedy
|
| gptkbp:has_performed_at |
theater companies
renowned actors |
| gptkbp:has_publications |
various formats
|
| gptkbp:historical_context |
gptkb:Great_Depression
post-World War II America American Dream critique |
| https://www.w3.org/2000/01/rdf-schema#label |
The Death of a Salesman
|
| gptkbp:influence |
gptkb:American_theater
modern drama |
| gptkbp:influenced |
gptkb:American_theater
subsequent playwrights |
| gptkbp:influenced_by |
gptkb:theater_of_the_absurd
expressionism realism Miller's own life experiences |
| gptkbp:inspiration |
gptkb:Arthur_Miller's_father
American capitalism |
| gptkbp:inspired |
numerous adaptations
|
| gptkbp:is_analyzed_in |
academic literature
|
| gptkbp:language |
English
|
| gptkbp:literary_devices |
symbolism
flashbacks foreshadowing soliloquy |
| gptkbp:main_character |
gptkb:Willy_Loman
|
| gptkbp:notable_production |
2015 Broadway revival
2019 London revival 1951 film adaptation 1985 television adaptation |
| gptkbp:notable_quote |
“ I am not a dime a dozen!”
“ The jungle is dark but full of diamonds.” “ The man who makes an appearance in the business world, the man who creates personal interest, is the man who gets ahead.” “ A small man can be just as exhausted as a great man.” |
| gptkbp:performance_style |
naturalism
|
| gptkbp:performed_in |
gptkb:theater_festivals
high schools community theaters professional theaters |
| gptkbp:portrayed_in |
gptkb:documentaries
television adaptations various stage productions biographical films |
| gptkbp:premiere_location |
gptkb:Morosco_Theatre
|
| gptkbp:published_by |
gptkb:Viking_Press
|
| gptkbp:published_in |
gptkb:1949
book form |
| gptkbp:setting |
gptkb:New_York_City
|
| gptkbp:symbolism |
the car
the seeds the rubber hose the stockings |
| gptkbp:theme |
the American Dream
|
| gptkbp:translated_into |
multiple languages
|
| gptkbp:written_by |
gptkb:Arthur_Miller
|
| gptkbp:bfsParent |
gptkb:Fernando_Arrabal_Jr.
gptkb:The_United_States_Steel_Hour |
| gptkbp:bfsLayer |
5
|