|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Latin_American_Boom
gptkb:Carlos_Fuentes
|
|
gptkbp:adaptation
|
gptkb:theatre
gptkb:1990
gptkb:2000
gptkb:2010
gptkb:2015
gptkb:2020
gptkb:radio_station
gptkb:film
The Death of Artemio Cruz (novel)
|
|
gptkbp:art_style
|
vivid
|
|
gptkbp:author
|
gptkb:Carlos_Fuentes
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:based_on
|
novel by Carlos Fuentes
|
|
gptkbp:box_office
|
gptkb:unknown
|
|
gptkbp:character_development
|
gptkb:launch_complex
|
|
gptkbp:cinematography
|
gptkb:Gabriel_Figueroa
|
|
gptkbp:country
|
gptkb:Mexico
|
|
gptkbp:critical_reception
|
acclaimed
mixed
|
|
gptkbp:cultural_impact
|
gptkb:significant
|
|
gptkbp:directed_by
|
gptkb:Luis_Buñuel
|
|
gptkbp:director
|
gptkb:Alejandro_González_Iñárritu
gptkb:Guillermo_del_Toro
gptkb:Alfonso_Cuarón
|
|
gptkbp:edited_by
|
gptkb:Carlos_Savage
|
|
gptkbp:filmography
|
120 minutes
surrealism
non-linear narrative
The Death of Artemio Cruz (film)
|
|
gptkbp:genre
|
gptkb:High_School
gptkb:novel
literary fiction
|
|
gptkbp:historical_context
|
gptkb:post-revolutionary_Mexico
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:collection
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Death of Artemio Cruz
|
|
gptkbp:influenced
|
Latin American cinema
|
|
gptkbp:influenced_artists
|
gptkb:Mario_Vargas_Llosa
gptkb:Gabriel_García_Márquez
gptkb:Julio_Cortázar
|
|
gptkbp:influenced_by
|
gptkb:existentialism
gptkb:modernism
Mexican cinema
|
|
gptkbp:influences
|
gptkb:Politician
|
|
gptkbp:inspired_by
|
gptkb:Mexican_Revolution
|
|
gptkbp:isbn
|
978-968-16-2020-0
|
|
gptkbp:language
|
gptkb:Spanish
|
|
gptkbp:legacy
|
important work in Mexican cinema.
|
|
gptkbp:main_character
|
gptkb:Artemio_Cruz
gptkb:Businessman
|
|
gptkbp:motif
|
gptkb:TV_series
gptkb:betrayal
class struggle
|
|
gptkbp:music_by
|
gptkb:Chucho_Ferrer
|
|
gptkbp:narrative_style
|
first-person
stream of consciousness
non-linear
fragmented
|
|
gptkbp:notable_quote
|
" I am dying, but I am not dead."
|
|
gptkbp:page_count
|
320
|
|
gptkbp:premiered_on
|
gptkb:film_festival
|
|
gptkbp:produced_by
|
Alberto Isaac
|
|
gptkbp:published_by
|
gptkb:1962
|
|
gptkbp:published_year
|
gptkb:1962
|
|
gptkbp:publisher
|
gptkb:Editorial_Joaquín_Mortiz
|
|
gptkbp:reader_demographic
|
varied
|
|
gptkbp:release_year
|
gptkb:1976
|
|
gptkbp:remake
|
gptkb:none
|
|
gptkbp:screenplay_by
|
gptkb:Carlos_Fuentes
|
|
gptkbp:setting
|
gptkb:Mexico
|
|
gptkbp:starring
|
gptkb:María_Félix
gptkb:Julio_Aleman
gptkb:Pablo_Ferrel
|
|
gptkbp:style
|
lyrical
political
satirical
|
|
gptkbp:symbolism
|
gptkb:historical_event
gptkb:betrayal
gptkb:superhero
the past
the body
the Mexican Revolution
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:Magic:_The_Gathering_set
gptkb:superhero
gptkb:cemetery
|
|
gptkbp:translated_into
|
gptkb:French
gptkb:Native_American_tribe
English
|