gptkbp:instance_of
|
gptkb:poet
|
gptkbp:adaptation
|
musical settings
|
gptkbp:adapted_into
|
gptkb:theatre
|
gptkbp:analyzes
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human-animal relationships
|
gptkbp:author
|
gptkb:Robert_Burns
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gptkbp:character
|
Poor Mailie
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gptkbp:collection
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gptkb:Poems,_Chiefly_in_the_Scottish_Dialect
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gptkbp:conservation_efforts
|
popular
|
gptkbp:contains
|
gptkb:comic_book
|
gptkbp:contains_track
|
lyric
|
gptkbp:critical_reception
|
well-regarded
|
gptkbp:cultural_significance
|
Scottish literature
Scottish identity
|
gptkbp:evokes
|
sympathy
|
gptkbp:examines
|
human-animal relationships
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gptkbp:explores
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grief
themes of mortality
|
gptkbp:features
|
gptkb:mythological_figure
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gptkbp:genre
|
elegy
|
https://www.w3.org/2000/01/rdf-schema#label
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The Death and Dying Words of Poor Mailie
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gptkbp:impact
|
Scottish poetry
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gptkbp:influence
|
Scottish literature
|
gptkbp:influenced
|
later poets
|
gptkbp:influenced_by
|
gptkb:personal_loss
gptkb:mythological_figure
folk traditions
|
gptkbp:influences
|
gptkb:mythological_figure
|
gptkbp:inspired
|
gptkb:artwork
|
gptkbp:inspired_by
|
personal experiences
a sheep
|
gptkbp:is_analyzed_in
|
gptkb:literary_work
|
gptkbp:is_associated_with
|
Robert Burns' legacy
|
gptkbp:is_available_in
|
anthologies
|
gptkbp:is_available_on
|
various online platforms
in public domain
|
gptkbp:is_celebrated_in
|
gptkb:Burns_Night
Scottish culture
its humor and pathos
|
gptkbp:is_cited_in
|
academic papers
in literature
literary studies
|
gptkbp:is_considered
|
a classic
a reflection of rural life
|
gptkbp:is_considered_as
|
a tribute to animals
|
gptkbp:is_discussed_in
|
academic papers
book clubs
|
gptkbp:is_essential_for
|
readers worldwide
|
gptkbp:is_explored_in
|
gptkb:literary_work
|
gptkbp:is_featured_in
|
anthologies
|
gptkbp:is_influential_in
|
Scottish identity
Scottish poetry
|
gptkbp:is_noted_for
|
its vivid imagery
its structure
|
gptkbp:is_part_of
|
Scottish literary tradition
Scottish cultural heritage
Scottish literary canon
Burns' body of work
Burns' poetic legacy
|
gptkbp:is_recognized_by
|
literary scholars
|
gptkbp:is_referenced_in
|
modern literature
other poets
in popular culture
|
gptkbp:is_reflected_in
|
rural life
|
gptkbp:is_respected_by
|
its lyrical quality
its wit
|
gptkbp:is_studied_in
|
literary courses
in schools
|
gptkbp:is_used_in
|
educational settings
|
gptkbp:known_for
|
emotional depth
|
gptkbp:language
|
English
|
gptkbp:literary_devices
|
gptkb:Person
|
gptkbp:motif
|
gptkb:cemetery
|
gptkbp:narrative_style
|
first-person
|
gptkbp:notable_for
|
gptkb:musical
emotional depth
|
gptkbp:notable_quote
|
' O, how can I be sad?'
|
gptkbp:performed_by
|
in schools
literary festivals
by actors
|
gptkbp:product_line
|
' And I will never forget thee, my dear Mailie!'
' Mailie, my own dear, my own dear, my own dear, Mailie!'
|
gptkbp:published_by
|
gptkb:William_Creech
gptkb:1785
|
gptkbp:published_year
|
gptkb:1785
|
gptkbp:related_to
|
gptkb:Auld_Lang_Syne
|
gptkbp:sales
|
nostalgia
|
gptkbp:setting
|
gptkb:Scotland
|
gptkbp:style
|
lyrical
romanticism
|
gptkbp:symbolism
|
gptkb:dog_breed
|
gptkbp:theme
|
gptkb:loss
|
gptkbp:translated_into
|
gptkb:various_languages
multiple languages
|
gptkbp:uses
|
gptkb:language
|
gptkbp:utilizes
|
gptkb:language
|
gptkbp:written_in
|
gptkb:Scots
iambic pentameter
|
gptkbp:bfsParent
|
gptkb:Robert_Burns
|
gptkbp:bfsLayer
|
4
|