|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:novel
|
|
gptkbp:aspect_ratio
|
1.85:1
1.66:1
|
|
gptkbp:audience
|
gptkb:N/_A
|
|
gptkbp:awards
|
BAFTA nominations
Cannes Film Festival selection
|
|
gptkbp:based_on
|
gptkb:The_Quiet_American
gptkb:The_Looking_Glass_War
gptkb:The_Secret_Agent
|
|
gptkbp:based_on_work
|
gptkb:John_le_Carré
|
|
gptkbp:box_office
|
$2.5 million
$1.5 million
$1 million
|
|
gptkbp:budget
|
$1.5 million
|
|
gptkbp:character
|
gptkb:Major_General
gptkb:Anna
gptkb:Colonel_Hawthorne
gptkb:Adele
gptkb:Sir_John
gptkb:Jim_Wormold
gptkb:Jim_Prideaux
gptkb:Inspector
gptkb:Leo
gptkb:M
M's secretary
Beatrice Wormold
Charles Thoroughgood
|
|
gptkbp:character_development
|
Complex characters
|
|
gptkbp:cinematography
|
gptkb:Freddie_Francis
gptkb:Oswald_Morris
|
|
gptkbp:cinematography_by
|
gptkb:Oswald_Morris
|
|
gptkbp:color
|
gptkb:Black_and_White
black and white
|
|
gptkbp:costume_design
|
gptkb:N/_A
|
|
gptkbp:country
|
gptkb:United_Kingdom
|
|
gptkbp:critical_reception
|
Mixed reviews
mixed
mixed reviews
|
|
gptkbp:cultural_impact
|
gptkb:N/_A
inspired television adaptations
inspired novels
inspired later spy films
Influenced spy films
|
|
gptkbp:design
|
gptkb:N/_A
|
|
gptkbp:directed_by
|
gptkb:Sidney_Lumet
|
|
gptkbp:director
|
gptkb:Sidney_Lumet
gptkb:Fritz_Lang
gptkb:N/_A
|
|
gptkbp:distributor
|
gptkb:20th_Century_Fox
gptkb:Columbia_Pictures
|
|
gptkbp:edited_by
|
gptkb:John_Bloom
|
|
gptkbp:editing
|
gptkb:Walter_Thompson
gptkb:John_Bloom
|
|
gptkbp:features
|
gptkb:murder_mystery
espionage
romance
|
|
gptkbp:features_character
|
gptkb:James_Bond
|
|
gptkbp:film_debut
|
gptkb:Cannes_Film_Festival_1966
|
|
gptkbp:film_editing
|
gptkb:John_Bloom
gptkb:novel
gptkb:N/_A
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
gptkb:N/_A
|
|
gptkbp:film_length
|
112 minutes
|
|
gptkbp:film_score
|
gptkb:N/_A
|
|
gptkbp:film_series
|
gptkb:N/_A
standalone
|
|
gptkbp:film_technique
|
gptkb:film
|
|
gptkbp:filming_location
|
gptkb:London
|
|
gptkbp:followed_by
|
gptkb:N/_A
|
|
gptkbp:follows
|
a British intelligence officer
|
|
gptkbp:genre
|
gptkb:Thriller
gptkb:drama
gptkb:thriller
|
|
gptkbp:has_character
|
gptkb:Anna
gptkb:Sir_John
gptkb:Inspector
gptkb:Leo
Charles Thoroughgood
|
|
gptkbp:has_prequel
|
gptkb:N/_A
|
|
gptkbp:has_setting
|
gptkb:road
gptkb:British_Embassy
gptkb:Berlin
gptkb:CIA
gptkb:London
gptkb:West_Germany
gptkb:East_Germany
gptkb:Hotel
gptkb:railway_station
spy headquarters
|
|
gptkbp:has_theme
|
gptkb:betrayal
gptkb:loyalty
gptkb:moral_ambiguity
gptkb:deception
gptkb:sacrifice
love
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
gptkb:2001
gptkb:2010
gptkb:N/_A
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Deadly Affair
|
|
gptkbp:influenced_by
|
gptkb:moral_ambiguity
gptkb:political_intrigue
gptkb:detective_fiction
British literature
psychological thriller
film noir
complex characters
character-driven narratives
spy genre
spy films
Cold War themes
real-life espionage cases
John le Carré's writing style
|
|
gptkbp:influences
|
gptkb:Cold_War
British cinema
film noir
spy fiction
|
|
gptkbp:inspiration
|
Real-life espionage cases
|
|
gptkbp:inspired_by
|
gptkb:John_le_Carré
|
|
gptkbp:language
|
English
|
|
gptkbp:makeup_artist
|
gptkb:N/_A
|
|
gptkbp:metacritic_score
|
gptkb:N/_A
|
|
gptkbp:music_by
|
gptkb:Quincy_Jones
gptkb:George_Duning
|
|
gptkbp:narrative_style
|
Non-linear
|
|
gptkbp:notable_aspect
|
adaptation of John le Carré's work
|
|
gptkbp:notable_awards
|
gptkb:N/_A
BAFTA nomination
Cannes Film Festival nomination
|
|
gptkbp:notable_quote
|
" Love is a dangerous game."
" The truth is a matter of perspective."
" You can't trust anyone in this business."
|
|
gptkbp:premiere
|
gptkb:1966_Cannes_Film_Festival
gptkb:London
|
|
gptkbp:premiered_on
|
gptkb:London_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Sidney_Lumet
gptkb:John_Brabourne
|
|
gptkbp:produces
|
false
|
|
gptkbp:production_company
|
gptkb:20th_Century_Fox
gptkb:Lions_Gate_Films
gptkb:Columbia_Pictures
|
|
gptkbp:production_status
|
completed
|
|
gptkbp:rating
|
6.8/10
|
|
gptkbp:received
|
mixed reviews
|
|
gptkbp:release_country
|
gptkb:United_Kingdom
|
|
gptkbp:release_date
|
gptkb:May
gptkb:1966
April 1966
1966-06-01
|
|
gptkbp:release_format
|
Theatrical
theatrical
|
|
gptkbp:release_year
|
gptkb:2015
|
|
gptkbp:released
|
gptkb:1966
|
|
gptkbp:released_in
|
gptkb:1966
|
|
gptkbp:remake
|
gptkb:The_Spy_Who_Came_in_from_the_Cold
gptkb:N/_A
The Deadly Affair (2015)
|
|
gptkbp:runtime
|
112 minutes
|
|
gptkbp:screenplay
|
gptkb:Paul_Dehn
|
|
gptkbp:screenplay_by
|
gptkb:Paul_Dehn
|
|
gptkbp:sequel
|
gptkb:N/_A
|
|
gptkbp:set_in
|
gptkb:Cold_War
gptkb:London
|
|
gptkbp:sound
|
gptkb:Mono
|
|
gptkbp:soundtrack
|
gptkb:N/_A
|
|
gptkbp:special_effects
|
gptkb:N/_A
|
|
gptkbp:starring
|
gptkb:Simone_Signoret
gptkb:Claire_Bloom
gptkb:Michael_Goodliffe
gptkb:Maximilian_Schell
gptkb:James_Mason
gptkb:Clive_Brook
|
|
gptkbp:themes
|
gptkb:Espionage
gptkb:Love
gptkb:Betrayal
gptkb:Loyalty
|
|
gptkbp:viewing_format
|
gptkb:DVD
gptkb:Blu-ray
|
|
gptkbp:visual_effects
|
gptkb:N/_A
|
|
gptkbp:writer
|
gptkb:John_le_Carré
|
|
gptkbp:bfsParent
|
gptkb:cross
gptkb:Angels_with_Dirty_Faces
gptkb:The_Alfred_Hitchcock_Presents:_The_5th_Season
|
|
gptkbp:bfsLayer
|
4
|