|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
gptkb:film
|
|
gptkbp:adapted_into
|
gptkb:theatrical_performances
|
|
gptkbp:antagonist
|
mafia boss
|
|
gptkbp:art_style
|
realistic cinematography
|
|
gptkbp:audience
|
cult following
|
|
gptkbp:author
|
gptkb:Leonardo_Sciascia
|
|
gptkbp:availability
|
gptkb:DVD
gptkb:Blu-ray
|
|
gptkbp:awards
|
gptkb:none
gptkb:Nastro_d'_Argento
|
|
gptkbp:based_on
|
novel by Leonardo Sciascia
|
|
gptkbp:box_office
|
gptkb:unknown
$1 million
|
|
gptkbp:character
|
gptkb:Detective
gptkb:Politician
gptkb:Witness
gptkb:Captain_Bellodi
gptkb:Don_Mariano_Arena
gptkb:organized_crime
gptkb:Journalist
the community
the judge
the antagonist
the police
the friend
the detective
the mentor
the outsider
the police chief
the mafia
the townspeople
the neighbor
the rival
the student
the partner
the journalist
the politician
the victim
the ally
the lawyer
the informant
the businessman
the family member
the bystanders
the witnesses
the prosecutor
Giovanna
the friend of the antagonist
the friend of the detective
the local leader
the family of the victim
the friend of the police
the friend of the victim
the suspects
Insp. Rocco
|
|
gptkbp:character_development
|
gptkb:Inspector_Bellodi
complex characters
|
|
gptkbp:cinematography
|
gptkb:Giuseppe_Ruzzolini
Alfredo Anile
|
|
gptkbp:climax
|
confrontation with mafia
|
|
gptkbp:color
|
gptkb:Color
|
|
gptkbp:conflict
|
gptkb:corruption
ambiguous
|
|
gptkbp:country
|
gptkb:Italy
|
|
gptkbp:critical_analysis
|
studied in film courses
|
|
gptkbp:critical_reception
|
positive
mixed reviews
|
|
gptkbp:cultural_impact
|
Italian society
influential in Italian cinema
critique of Italian society
|
|
gptkbp:cultural_significance
|
social commentary
mafia representation
reflects Italian society
|
|
gptkbp:director
|
gptkb:Francesco_Rosi
gptkb:Damiano_Damiani
|
|
gptkbp:distributor
|
gptkb:20th_Century_Fox
Cineriz
|
|
gptkbp:edited_by
|
gptkb:Franco_Fraticelli
|
|
gptkbp:editing
|
Mario Serandrei
non-linear editing
|
|
gptkbp:film_festival
|
gptkb:Venice_Film_Festival_1969
gptkb:Cannes_Film_Festival_2009
|
|
gptkbp:film_score
|
gptkb:Ennio_Morricone
|
|
gptkbp:film_technique
|
social realism
neorealism
realistic dialogue
naturalistic performances
|
|
gptkbp:filming_location
|
gptkb:Sicily
|
|
gptkbp:genre
|
gptkb:detective_fiction
gptkb:crime
|
|
gptkbp:historical_context
|
post-war Italy
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Day of the Owl
|
|
gptkbp:influence
|
subsequent mafia films
|
|
gptkbp:influenced
|
subsequent crime novels
|
|
gptkbp:influenced_by
|
gptkb:Italian_neorealism
Sicilian culture
|
|
gptkbp:influences
|
gptkb:Italian_cinema
gptkb:Italian_neorealism
Italian literature
poliziotteschi genre
|
|
gptkbp:inspiration
|
real-life events
real events
|
|
gptkbp:isbn
|
978-8807810663
|
|
gptkbp:language
|
gptkb:Italian
|
|
gptkbp:language_spoken
|
socio-political commentary
|
|
gptkbp:legacy
|
cult following
cult classic status
influenced future films
|
|
gptkbp:main_character
|
gptkb:Inspector_Bellodi
|
|
gptkbp:motif
|
silence
|
|
gptkbp:music
|
gptkb:Ennio_Morricone
|
|
gptkbp:music_by
|
gptkb:Piero_Piccioni
|
|
gptkbp:narrative
|
omniscient
|
|
gptkbp:narrative_style
|
gptkb:political_leaders
third-person
|
|
gptkbp:notable_quote
|
" The owl is a symbol of wisdom."
|
|
gptkbp:notable_scene
|
climactic confrontation
opening scene
investigation scenes
|
|
gptkbp:page_count
|
192
|
|
gptkbp:plot
|
investigation of a murder
investigation of mafia activities
|
|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival
gptkb:Venice_Film_Festival
|
|
gptkbp:production_company
|
gptkb:Rai_Cinema
Cineriz
|
|
gptkbp:protagonist
|
gptkb:Police_Department
|
|
gptkbp:published_in
|
gptkb:1961
|
|
gptkbp:publisher
|
gptkb:Feltrinelli
|
|
gptkbp:release_date
|
2009-05-01
|
|
gptkbp:release_year
|
gptkb:1969
gptkb:2009
|
|
gptkbp:remake
|
The Day of the Owl (2009)
|
|
gptkbp:resolution
|
unresolved ending
|
|
gptkbp:runtime
|
115 minutes
108 minutes
|
|
gptkbp:screenings
|
international film festivals
|
|
gptkbp:screenplay
|
gptkb:Damiano_Damiani
Sciascia and Rosi
|
|
gptkbp:setting
|
gptkb:Sicily
|
|
gptkbp:setting_time
|
1960s
|
|
gptkbp:soundtrack
|
gptkb:Piero_Piccioni
|
|
gptkbp:starring
|
gptkb:Burt_Lancaster
gptkb:Katherine_Kelly_Lang
gptkb:Franco_Nero
gptkb:Lee_J._Cobb
gptkb:Marcello_Mastroianni
gptkb:Claudia_Cardinale
|
|
gptkbp:style
|
socio-political commentary
|
|
gptkbp:symbolism
|
gptkb:owl
|
|
gptkbp:theme
|
mafia
|
|
gptkbp:themes
|
gptkb:justice
gptkb:corruption
mafia
justice and corruption
|
|
gptkbp:translated_into
|
gptkb:Archibald_Colquhoun
English
|
|
gptkbp:bfsParent
|
gptkb:Vittorio_De_Sica
|
|
gptkbp:bfsLayer
|
4
|