|
gptkbp:instance_of
|
gptkb:opera
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:The_Pirates_of_Penzance
|
|
gptkbp:adaptation
|
gptkb:musical
gptkb:film
|
|
gptkbp:associated_act
|
two
|
|
gptkbp:character
|
gptkb:Major-General_Stanley
gptkb:Detective
gptkb:Ruth
gptkb:Mabel
gptkb:The_Pirate_King
Frederic
|
|
gptkbp:composer
|
gptkb:Arthur_Sullivan
|
|
gptkbp:cultural_impact
|
influenced modern musicals
|
|
gptkbp:cultural_significance
|
part of the English musical theatre canon
|
|
gptkbp:director
|
gptkb:G._B._Shaw
|
|
gptkbp:first_performance
|
gptkb:Savoy_Theatre,_London
December 31, 1887
|
|
gptkbp:genre
|
gptkb:musical
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Daughters of Major-General Stanley
|
|
gptkbp:influence
|
gptkb:Gilbert_and_Sullivan_operas
|
|
gptkbp:influenced_by
|
Victorian operetta
|
|
gptkbp:inspiration
|
British military culture
|
|
gptkbp:language
|
English
|
|
gptkbp:lyricist
|
gptkb:W._S._Gilbert
|
|
gptkbp:notable_character
|
gptkb:Dame_Sarah_Connolly
gptkb:Thomas_Hampson
gptkb:Anne_Sofie_von_Otter
gptkb:Diana_Damrau
gptkb:John_Francis_Reed
gptkb:Dame_Janet_Baker
gptkb:Patricia_Routledge
gptkb:Dame_Felicity_Lott
gptkb:Alfredo_Kraus
gptkb:Dame_Margaret_Price
gptkb:Thomas_Allen
gptkb:Dame_Anne_Evans
gptkb:Richard_Lewis
gptkb:Simon_Keenlyside
gptkb:Isabel_Jay
gptkb:Martyn_Green
gptkb:Kiri_Te_Kanawa
gptkb:Dame_Josephine_Barstow
Dame Emma Kirkby
|
|
gptkbp:notable_production
|
gptkb:Savoy_Theatre
|
|
gptkbp:notable_quote
|
I am the very model of a modern Major-General.
|
|
gptkbp:notable_song
|
gptkb:I_Am_the_Very_Model_of_a_Modern_Major-General
|
|
gptkbp:official_language
|
English
|
|
gptkbp:performance
|
performed worldwide
|
|
gptkbp:premiered_on
|
1887
|
|
gptkbp:related_works
|
gptkb:The_Mikado
gptkb:The_Pirates_of_Penzance
gptkb:H._M._S._Pinafore
|
|
gptkbp:reunion
|
frequent revivals
|
|
gptkbp:setting
|
gptkb:Victorian_England
|
|
gptkbp:theme
|
love and duty
|
|
gptkbp:written_by
|
gptkb:W._S._Gilbert
gptkb:Arthur_Sullivan
|