|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:none
|
|
gptkbp:author
|
gptkb:J._B._Priestley
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:character
|
gptkb:Damocles
the narrator
the antagonist
the friend
the mentor
the love interest
|
|
gptkbp:conflict
|
internal conflict
social conflict
moral conflict
|
|
gptkbp:country
|
gptkb:United_Kingdom
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:genre
|
gptkb:Fiction
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Darkroom of Damocles
|
|
gptkbp:influenced_by
|
gptkb:James_Joyce
gptkb:Virginia_Woolf
|
|
gptkbp:influences
|
gptkb:existentialism
|
|
gptkbp:isbn
|
978-0-15-162200-0
|
|
gptkbp:language
|
English
|
|
gptkbp:motif
|
gptkb:photography
|
|
gptkbp:narrative
|
first-person
third-person
|
|
gptkbp:narrative_style
|
stream of consciousness
|
|
gptkbp:page_count
|
256
|
|
gptkbp:plot
|
explores the nature of reality
deals with trauma
examines personal relationships
questions perception
|
|
gptkbp:protagonist
|
a photographer
|
|
gptkbp:published_by
|
gptkb:Harcourt_Brace_Jovanovich
|
|
gptkbp:published_in
|
gptkb:1962
|
|
gptkbp:setting
|
gptkb:London
gptkb:Paris
post-war Europe
|
|
gptkbp:style
|
gptkb:Modernist
lyrical
introspective
|
|
gptkbp:symbolism
|
darkroom
light and shadow
the camera
|
|
gptkbp:theme
|
gptkb:illusion
gptkb:identity
gptkb:memory
reality
truth
|
|
gptkbp:bfsParent
|
gptkb:G._W._M._van_der_Heijden
|
|
gptkbp:bfsLayer
|
6
|