|
gptkbp:instance_of
|
gptkb:comic_book
|
|
gptkbp:bfsLayer
|
5
|
|
gptkbp:bfsParent
|
gptkb:The_Dark_Knight_Returns_#1
|
|
gptkbp:adaptation
|
Batman: The Dark Knight Returns (video game)
The Dark Knight Returns (animated film)
|
|
gptkbp:adapted_into
|
gptkb:animated_film
|
|
gptkbp:artist
|
gptkb:Klaus_Janson
|
|
gptkbp:character_development
|
gptkb:Bruce_Wayne
|
|
gptkbp:colorist
|
gptkb:Lynn_Varley
|
|
gptkbp:cover_art
|
gptkb:Frank_Miller
|
|
gptkbp:critical_reception
|
highly acclaimed
|
|
gptkbp:cultural_impact
|
gptkb:significant
|
|
gptkbp:editor
|
gptkb:Diana_Schutz
|
|
gptkbp:follows
|
gptkb:The_Dark_Knight_Returns_#1
|
|
gptkbp:format
|
single issue
|
|
gptkbp:genre
|
gptkb:superhero
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Dark Knight Returns #2
|
|
gptkbp:influenced
|
gptkb:Batman_films
graphic novels
pop culture
modern comics
|
|
gptkbp:influenced_by
|
gptkb:The_Dark_Knight_Returns
gptkb:Frank_Miller's_work
American culture
Batman lore
political climate of the 1980s
graphic storytelling
social issues of the 1980s
1980s comics
crime in America
media portrayal of superheroes
|
|
gptkbp:isbn
|
978-1-4012-1550-3
|
|
gptkbp:issue_number
|
2
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:superhero
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:notable_enemies
|
gptkb:The_Joker
gptkb:superhero
gptkb:Two-Face
|
|
gptkbp:notable_story_arc
|
gptkb:The_Dark_Knight_Returns
|
|
gptkbp:page_count
|
48
|
|
gptkbp:part_of
|
gptkb:The_Dark_Knight_Returns
|
|
gptkbp:precedes
|
The Dark Knight Returns #3
|
|
gptkbp:published_by
|
gptkb:1986
gptkb:DC_Comics
|
|
gptkbp:release_date
|
1986-04-01
|
|
gptkbp:series
|
gptkb:The_Dark_Knight_Returns
|
|
gptkbp:setting
|
gptkb:Gotham_City
|
|
gptkbp:theme
|
gptkb:heroism
aging
redemption
vigilantism
societal decay
|
|
gptkbp:writer
|
gptkb:Frank_Miller
|