gptkbp:instance_of
|
gptkb:novel
|
gptkbp:adaptation
|
gptkb:none
not adapted into film
|
gptkbp:author
|
gptkb:Thomas_Pynchon
|
gptkbp:awards
|
gptkb:none
|
gptkbp:character
|
gptkb:Gretchen
gptkb:Dr._Hilarius
Mucho Maas
Mike Fallopian
Teddy Dufresne
|
gptkbp:character_development
|
complex characters
|
gptkbp:conflict
|
internal conflict
social conflict
existential conflict
|
gptkbp:critical_reception
|
mixed
widely acclaimed
|
gptkbp:cultural_impact
|
influenced literature
influenced philosophy
influenced art
influenced film
influenced music
|
gptkbp:genre
|
postmodern literature
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Crying of Lot G
|
gptkbp:influenced_by
|
gptkb:James_Joyce
gptkb:Samuel_Beckett
gptkb:William_S._Burroughs
|
gptkbp:influences
|
gptkb:Beat_Generation
gptkb:Author
gptkb:James_Joyce
gptkb:Kafka
gptkb:William_S._Burroughs
surrealism
|
gptkbp:isbn
|
978-0060913072
978-0060925782
|
gptkbp:language
|
English
|
gptkbp:literary_devices
|
irony
metafiction
allusion
|
gptkbp:main_character
|
gptkb:Oedipa_Maas
|
gptkbp:motif
|
gptkb:aircraft
gptkb:physicist
gptkb:cemetery
disillusionment
the media
the search for meaning
the occult
|
gptkbp:narrative_style
|
third-person
nonlinear
fragmented
|
gptkbp:notable_quote
|
“ The only thing that matters is the story.”
“ What is real?”
“ It’s all a matter of perspective.”
|
gptkbp:page_count
|
gptkb:368
352
|
gptkbp:published_by
|
gptkb:1997
|
gptkbp:publisher
|
gptkb:Harper_&_Row
gptkb:Harper_Collins
|
gptkbp:reader_demographic
|
varied interpretations
|
gptkbp:setting
|
gptkb:California
1960s
|
gptkbp:style
|
experimental
satirical
|
gptkbp:symbolism
|
the Tristero
the postal system
the sound
the map
the post office
the archive
the coin
the conspiracy
|
gptkbp:themes
|
gptkb:TV_series
gptkb:technology
paranoia
|
gptkbp:bfsParent
|
gptkb:And_Then_Nothing_Turned_Itself_Inside-Out
gptkb:I_Can_Hear_the_Heart_Beating_as_One
|
gptkbp:bfsLayer
|
6
|