gptkbp:instance_of
|
gptkb:novel
|
gptkbp:bfsLayer
|
6
|
gptkbp:bfsParent
|
gptkb:The_Collected_Essays_of_Alan_Paton
|
gptkbp:adaptation
|
gptkb:theatre
gptkb:1995
gptkb:film
|
gptkbp:antagonist
|
gptkb:Absalom_Kumalo
|
gptkbp:author
|
gptkb:Alan_Paton
|
gptkbp:cast
|
gptkb:Leleti_Khumalo
gptkb:James_Earl_Jones
gptkb:Richard_Harris
|
gptkbp:critical_reception
|
widely acclaimed
|
gptkbp:cultural_impact
|
taught in schools
adapted into operas
performed in theaters
included in literary canon
inspired discussions on apartheid
|
gptkbp:director
|
gptkb:Darrell_Roodt
|
gptkbp:film_score
|
gptkb:James_Horner
|
gptkbp:genre
|
gptkb:church
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Cry, the Beloved Country
|
gptkbp:influence
|
South African literature
|
gptkbp:influenced
|
post-apartheid literature
|
gptkbp:inspired
|
social justice movements
|
gptkbp:language
|
English
|
gptkbp:main_character
|
gptkb:Stephen_Kumalo
|
gptkbp:narrative_style
|
third-person omniscient
|
gptkbp:notable_quote
|
" The land is ours"
" I have a dream"
" The tragedy is that we are all human"
" There is a time for everything"
" We are all God's children"
|
gptkbp:published_by
|
1948
|
gptkbp:setting
|
gptkb:South_Africa
|
gptkbp:symbolism
|
the church
the city
the land
|
gptkbp:theme
|
gptkb:family
redemption
racial injustice
|
gptkbp:translated_into
|
multiple languages
|