|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:awards
|
gptkb:Olivier_Award_for_Best_Revival
gptkb:Tony_Award_for_Best_Revival_of_a_Play
|
|
gptkbp:based_on
|
The Crucible (play)
|
|
gptkbp:based_on_work
|
The Crucible (play)
|
|
gptkbp:box_office
|
successful run
|
|
gptkbp:cinematography_by
|
gptkb:Jan_Versweyveld
|
|
gptkbp:country
|
gptkb:United_Kingdom
|
|
gptkbp:critical_reception
|
positive reviews
|
|
gptkbp:depicts
|
gptkb:Salem_witch_trials
|
|
gptkbp:directed_by
|
gptkb:Ivo_van_Hove
|
|
gptkbp:distributor
|
gptkb:National_Theatre_Live
|
|
gptkbp:edited_by
|
gptkb:Peter_Mc_Nulty
|
|
gptkbp:features
|
gptkb:ensemble_cast
|
|
gptkbp:filming_location
|
gptkb:London
|
|
gptkbp:follows
|
The Crucible (play)
|
|
gptkbp:genre
|
gptkb:drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Crucible (2016)
|
|
gptkbp:inspired_by
|
gptkb:historical_events
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:Philip_Glass
|
|
gptkbp:notable_aspect
|
gptkb:character_development
gptkb:historical_context
critical acclaim
social commentary
audience engagement
emotional depth
critical analysis
cultural impact
historical accuracy
artistic direction
theatrical innovation
cultural relevance
use of multimedia
dramatic tension
thematic complexity
intense performances
live theater adaptation
modern staging
|
|
gptkbp:premiere_date
|
2016-05-07
|
|
gptkbp:produced_by
|
gptkb:Scott_Rudin
|
|
gptkbp:release_date
|
gptkb:2016
|
|
gptkbp:runtime
|
180 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Arthur_Miller
|
|
gptkbp:set_in
|
gptkb:Salem,_Massachusetts
|
|
gptkbp:starring
|
gptkb:Ben_Whishaw
gptkb:Sophie_Okonedo
gptkb:Ciarán_Hinds
gptkb:Tina_Benko
|
|
gptkbp:themes
|
reputation
fear of the unknown
moral conflict
mass hysteria
|
|
gptkbp:bfsParent
|
gptkb:Metropolitan_Opera_House
gptkb:Tony_Award_for_Best_Revival_of_a_Play
|
|
gptkbp:bfsLayer
|
4
|