|
gptkbp:instance_of
|
gptkb:painting
gptkb:novel
gptkb:musical_group
gptkb:film
|
|
gptkbp:acquisition
|
donated to Tate Gallery
|
|
gptkbp:adaptations
|
gptkb:none
|
|
gptkbp:artistic_influence
|
gptkb:Henri_Matisse
gptkb:Pablo_Picasso
gptkb:Wyndham_Lewis
|
|
gptkbp:artistic_legacy
|
influenced later artists
studied in art schools
part of British modernism
|
|
gptkbp:artistic_technique
|
fragmentation
bold lines
dynamic composition
abstract representation
overlapping forms
|
|
gptkbp:author
|
gptkb:Wyndham_Lewis
|
|
gptkbp:awards
|
gptkb:National_Film_Registry
|
|
gptkbp:box_office
|
successful for its time
|
|
gptkbp:cinematography_by
|
gptkb:Henry_Sharp
|
|
gptkbp:color
|
black and white
|
|
gptkbp:color_palette
|
vibrant colors
|
|
gptkbp:created_by
|
gptkb:David_Bomberg
|
|
gptkbp:cultural_impact
|
featured in documentaries
inspired contemporary artists
analyzed in academic papers
replicated in various media
discussed in art history
|
|
gptkbp:cultural_significance
|
reflects post-war society
|
|
gptkbp:depicts
|
the struggles of urban life
|
|
gptkbp:dimensions
|
76.2 cm × 101.6 cm
|
|
gptkbp:directed_by
|
gptkb:King_Vidor
|
|
gptkbp:edited_by
|
William Hornbeck
|
|
gptkbp:exhibition
|
gptkb:Tate_Modern
|
|
gptkbp:exhibition_history
|
London 1915
|
|
gptkbp:exhibition_venue
|
gptkb:New_English_Art_Club
gptkb:Royal_Academy_of_Arts
gptkb:Tate_Britain
|
|
gptkbp:features
|
silent film techniques
|
|
gptkbp:follows
|
a young man
|
|
gptkbp:genre
|
gptkb:drama
modernist literature
|
|
gptkbp:has_members
|
gptkb:Judith
gptkb:Reg
gptkb:Brian
gptkb:Stan
gptkb:The_Messiah
|
|
gptkbp:has_reception
|
mixed reviews
|
|
gptkbp:has_themes
|
gptkb:cultural_identity
gptkb:marriage
gptkb:loss
gptkb:conflict
gptkb:social_class
gptkb:youth
gptkb:dreams
gptkb:friendship
gptkb:identity
gptkb:sacrifice
gptkb:community
love
mental health
personal growth
the passage of time
hope
isolation
resilience
social commentary
redemption
self-discovery
moral dilemmas
societal pressure
human experience
ambition
disillusionment
family dynamics
economic hardship
the American Dream
self-identity
personal struggle
urban alienation
despair
the search for meaning
career aspirations
aspirations
life choices
individual vs society
life's challenges
the impact of society on the individual
|
|
gptkbp:historical_interpretation
|
chaos of modern life
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Crowd
|
|
gptkbp:influence
|
modern art
|
|
gptkbp:influenced
|
subsequent films
|
|
gptkbp:influenced_by
|
gptkb:Expressionism
gptkb:Futurism
gptkb:Dadaism
|
|
gptkbp:influences
|
gptkb:Futurism
gptkb:Cubism
|
|
gptkbp:inspired_by
|
gptkb:World_War_I
industrialization
urbanization
|
|
gptkbp:language
|
English
|
|
gptkbp:location
|
gptkb:Tate_Gallery
|
|
gptkbp:medium
|
gptkb:oil_on_canvas
|
|
gptkbp:music_by
|
gptkb:Carl_Davis
|
|
gptkbp:narrative_style
|
stream of consciousness
|
|
gptkbp:notable_characters
|
gptkb:The_Narrator
gptkb:The_Crowd
|
|
gptkbp:notable_for
|
its innovative storytelling
|
|
gptkbp:premiered_on
|
the 1928 New York Film Festival
|
|
gptkbp:produced_by
|
gptkb:Metro-Goldwyn-Mayer
|
|
gptkbp:published_in
|
1915
|
|
gptkbp:released_in
|
1928
|
|
gptkbp:remake
|
a television film in 1950
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenplay_by
|
gptkb:John_V._A._Weaver
gptkb:King_Vidor
|
|
gptkbp:set_in
|
gptkb:New_York_City
|
|
gptkbp:setting
|
gptkb:London
|
|
gptkbp:starring
|
gptkb:Burt_Glanville
gptkb:James_Murray
gptkb:Eleanor_Boardman
|
|
gptkbp:style
|
gptkb:Cubism
|
|
gptkbp:subject_matter
|
people in a crowd
|
|
gptkbp:symbolism
|
collective experience
|
|
gptkbp:technique
|
gptkb:geometric_shapes
|
|
gptkbp:theme
|
urban life
|
|
gptkbp:themes
|
gptkb:society
alienation
individualism
|
|
gptkbp:year_created
|
1915
|
|
gptkbp:bfsParent
|
gptkb:The_October_Country
gptkb:The_Bride_Came_C._O._D.
gptkb:Julian_Opie
gptkb:The_Last_Days_of_Judas_Iscariot
|
|
gptkbp:bfsLayer
|
4
|