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gptkbp:instance_of
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gptkb:painting
gptkb:novel
gptkb:musical_group
gptkb:film
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gptkbp:bfsLayer
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4
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gptkbp:bfsParent
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gptkb:The_October_Country
gptkb:The_Bride_Came_C._O._D.
gptkb:icon_of_the_silent_era
gptkb:Julian_Opie
gptkb:The_Last_Days_of_Judas_Iscariot
gptkb:Operation_Ivy
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gptkbp:acquisition
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donated to Tate Gallery
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gptkbp:adaptation
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gptkb:none
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gptkbp:art_style
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fragmentation
bold lines
dynamic composition
abstract representation
overlapping forms
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|
gptkbp:artistic_influence
|
gptkb:Henri_Matisse
gptkb:Pablo_Picasso
gptkb:Wyndham_Lewis
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gptkbp:artistic_legacy
|
influenced later artists
studied in art schools
part of British modernism
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|
gptkbp:author
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gptkb:Wyndham_Lewis
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gptkbp:awards
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gptkb:National_Film_Registry
|
|
gptkbp:box_office
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successful for its time
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|
gptkbp:cinematography
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gptkb:Henry_Sharp
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gptkbp:color
|
black and white
vibrant colors
|
|
gptkbp:created_by
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gptkb:David_Bomberg
|
|
gptkbp:cultural_impact
|
featured in documentaries
inspired contemporary artists
analyzed in academic papers
replicated in various media
discussed in art history
|
|
gptkbp:cultural_significance
|
reflects post-war society
|
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gptkbp:depicts
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the struggles of urban life
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gptkbp:dimensions
|
76.2 cm × 101.6 cm
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|
gptkbp:directed_by
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gptkb:King_Vidor
|
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gptkbp:edited_by
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William Hornbeck
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|
gptkbp:exhibition
|
gptkb:New_English_Art_Club
gptkb:Tate_Modern
gptkb:Tate_Britain
gptkb:High_School
London 1915
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|
gptkbp:features
|
silent film techniques
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|
gptkbp:follows
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a young man
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|
gptkbp:genre
|
gptkb:High_School
modernist literature
|
|
gptkbp:has_member
|
gptkb:Judith
gptkb:Reg
gptkb:Brian
gptkb:Stan
gptkb:The_Messiah
|
|
gptkbp:has_theme
|
gptkb:TV_series
gptkb:festival
gptkb:award
gptkb:class
gptkb:loss
gptkb:Community_Center
gptkb:Saint
gptkb:military_conflict
gptkb:organization
love
mental health
personal growth
the passage of time
hope
isolation
resilience
social commentary
redemption
self-discovery
moral dilemmas
societal pressure
human experience
ambition
disillusionment
family dynamics
economic hardship
the American Dream
self-identity
personal struggle
urban alienation
despair
the search for meaning
career aspirations
aspirations
life choices
individual vs society
life's challenges
the impact of society on the individual
|
|
gptkbp:historical_context
|
chaos of modern life
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Crowd
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|
gptkbp:influence
|
modern art
|
|
gptkbp:influenced
|
subsequent films
|
|
gptkbp:influenced_by
|
gptkb:Expressionism
gptkb:Futurism
gptkb:Artist
|
|
gptkbp:influences
|
gptkb:sports_team
gptkb:Futurism
|
|
gptkbp:inspired_by
|
gptkb:World_War_I
industrialization
urbanization
|
|
gptkbp:language
|
English
|
|
gptkbp:location
|
gptkb:Tate_Gallery
|
|
gptkbp:medium
|
gptkb:oil_on_canvas
|
|
gptkbp:music_by
|
gptkb:Carl_Davis
|
|
gptkbp:narrative_style
|
stream of consciousness
|
|
gptkbp:notable_character
|
gptkb:The_Narrator
gptkb:The_Crowd
|
|
gptkbp:notable_for
|
its innovative storytelling
|
|
gptkbp:premiered_on
|
the 1928 New York Film Festival
|
|
gptkbp:produced_by
|
gptkb:Metro-Goldwyn-Mayer
|
|
gptkbp:published_by
|
1915
|
|
gptkbp:released_in
|
1928
|
|
gptkbp:remake
|
a television film in 1950
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenplay_by
|
gptkb:John_V._A._Weaver
gptkb:King_Vidor
|
|
gptkbp:set_in
|
gptkb:Borough
|
|
gptkbp:setting
|
gptkb:Borough
|
|
gptkbp:starring
|
gptkb:Burt_Glanville
gptkb:James_Murray
gptkb:Eleanor_Boardman
|
|
gptkbp:stations
|
mixed reviews
|
|
gptkbp:style
|
gptkb:sports_team
|
|
gptkbp:subject
|
people in a crowd
|
|
gptkbp:symbolism
|
collective experience
|
|
gptkbp:technique
|
gptkb:painting
|
|
gptkbp:theme
|
urban life
|
|
gptkbp:themes
|
gptkb:political_movement
alienation
individualism
|
|
gptkbp:year_created
|
1915
|