|
gptkbp:instance_of
|
gptkb:album
gptkb:song
|
|
gptkbp:album
|
gptkb:Sandinista!
|
|
gptkbp:artist
|
gptkb:The_Clash
|
|
gptkbp:associated_act
|
gptkb:The_Clash
|
|
gptkbp:available_on
|
Streaming platforms
|
|
gptkbp:chart_performance
|
Moderate success
|
|
gptkbp:cover_version
|
gptkb:Yes
|
|
gptkbp:critical_reception
|
Positive
|
|
gptkbp:cultural_impact
|
Significant in punk culture
|
|
gptkbp:fan_base
|
Punk rock fans
|
|
gptkbp:featured_in
|
gptkb:Documentaries
Music compilations
|
|
gptkbp:genre
|
gptkb:punk_rock
Punk rock
Post-punk
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Crooked Beat
|
|
gptkbp:influenced_by
|
gptkb:Bob_Marley
gptkb:Sex_Pistols
gptkb:The_Ramones
Rock music
Reggae music
|
|
gptkbp:influences
|
gptkb:rock
Reggae
|
|
gptkbp:inspired_by
|
Cultural movements
Political movements
|
|
gptkbp:instruments
|
gptkb:Drums
gptkb:Bass
gptkb:guitar
Vocals
|
|
gptkbp:label
|
gptkb:Epic_Records
gptkb:CBS_Records
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
Influential in music history
|
|
gptkbp:length
|
3:50
|
|
gptkbp:live_performance
|
gptkb:Yes
|
|
gptkbp:lyrical_themes
|
Social commentary
|
|
gptkbp:music_style
|
gptkb:Reggae_fusion
gptkb:Punk
|
|
gptkbp:music_video
|
gptkb:Yes
|
|
gptkbp:next_album
|
gptkb:Straight_to_Hell
gptkb:The_Call_Up
Somebody Got Murdered
|
|
gptkbp:notable_cover
|
gptkb:Various_artists
|
|
gptkbp:performance_venue
|
Various venues
|
|
gptkbp:producer
|
gptkb:Mickey_Foote
|
|
gptkbp:record_label
|
gptkb:CBS_Records
|
|
gptkbp:recording_artist
|
gptkb:The_Clash
|
|
gptkbp:recording_location
|
gptkb:United_Kingdom
|
|
gptkbp:recording_year
|
gptkb:1980
|
|
gptkbp:release_year
|
gptkb:1980
|
|
gptkbp:remastered
|
gptkb:Yes
|
|
gptkbp:studio
|
gptkb:Wessex_Sound_Studios
|
|
gptkbp:theme
|
Political issues
|
|
gptkbp:track_count
|
gptkb:12
gptkb:5
|
|
gptkbp:writer
|
gptkb:Joe_Strummer
gptkb:Mick_Jones
|
|
gptkbp:bfsParent
|
gptkb:The_Clash
|
|
gptkbp:bfsLayer
|
4
|