|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:art_style
|
surrealism
|
|
gptkbp:awards
|
Best Experimental Film at the 2002 Venice Film Festival
|
|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:budget
|
$1 million
|
|
gptkbp:cinematography
|
gptkb:A._J._Schnack
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
influenced contemporary art
influenced visual arts
influenced film
influenced performance art
influenced gender studies
|
|
gptkbp:director
|
gptkb:Matthew_Barney
|
|
gptkbp:distributor
|
gptkb:Kino_International
|
|
gptkbp:edited_by
|
gptkb:Matthew_Barney
|
|
gptkbp:filming_location
|
gptkb:United_States
|
|
gptkbp:genre
|
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Cremaster 7
|
|
gptkbp:influences
|
gptkb:architect
gptkb:philosopher
gptkb:Artist
gptkb:psychologist
gptkb:mythological_figure
gptkb:literary_work
gptkb:artwork
gptkb:film
modern art
surrealism
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:Matthew_Barney
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:part_of
|
gptkb:Cremaster_Cycle
|
|
gptkbp:premiered_on
|
gptkb:2002_Venice_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Matthew_Barney
|
|
gptkbp:release_year
|
gptkb:2002
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:starring
|
gptkb:Eve_Sussman
gptkb:John_Epperson
gptkb:Richard_Serra
gptkb:Diana_Weymar
gptkb:Aimee_Mullins
|
|
gptkbp:themes
|
gptkb:benchmark
gptkb:TV_series
gptkb:mythological_figure
gptkb:artwork
gender
|
|
gptkbp:bfsParent
|
gptkb:Matthew_Barney
|
|
gptkbp:bfsLayer
|
4
|