|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Matthew_Barney
|
|
gptkbp:artist
|
gptkb:Aimee_Mullins
|
|
gptkbp:awards
|
Best Experimental Film at the 2002 Cannes Film Festival
|
|
gptkbp:box_office
|
$1 million
|
|
gptkbp:cast
|
gptkb:Isabella_Rossellini
gptkb:Eve_Sussman
gptkb:Paul_Mc_Carthy
gptkb:Richard_Serra
gptkb:Aimee_Mullins
|
|
gptkbp:character_appearance
|
gptkb:Matthew_Barney
|
|
gptkbp:cinematography
|
gptkb:A._J._Edwards
|
|
gptkbp:composer
|
gptkb:Matthew_Barney
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
discussed in film studies
inspired artists and filmmakers
analyzed in art criticism
influenced contemporary art films
|
|
gptkbp:design
|
gptkb:Matthew_Barney
|
|
gptkbp:director
|
gptkb:Matthew_Barney
|
|
gptkbp:distributor
|
gptkb:Kino_International
|
|
gptkbp:editor
|
gptkb:M._W._Smith
|
|
gptkbp:filming_location
|
gptkb:Borough
gptkb:Los_Angeles
gptkb:Utah
|
|
gptkbp:filmography
|
gptkb:M._W._Smith
|
|
gptkbp:genre
|
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Cremaster 6
|
|
gptkbp:influences
|
gptkb:philosopher
gptkb:church
gptkb:Artist
gptkb:Monarch
|
|
gptkbp:language
|
English
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:part_of
|
gptkb:Cremaster_Cycle
|
|
gptkbp:premiere
|
gptkb:2002_Cannes_Film_Festival
|
|
gptkbp:production_company
|
gptkb:Matador_Productions
|
|
gptkbp:release_year
|
gptkb:2002
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:sound
|
gptkb:Matthew_Barney
|
|
gptkbp:theme
|
gptkb:mythological_figure
gptkb:organization
creation
artistic process
|
|
gptkbp:visual_effects
|
gptkb:Matthew_Barney
|
|
gptkbp:writer
|
gptkb:Matthew_Barney
|