|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Matthew_Barney
|
|
gptkbp:art_style
|
surreal
|
|
gptkbp:aspect_ratio
|
1.85:1
|
|
gptkbp:awards
|
gptkb:Best_Experimental_Film
|
|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:budget
|
$1 million
|
|
gptkbp:cast
|
gptkb:Matthew_Barney
gptkb:Catherine_Keener
gptkb:John_Epperson
gptkb:Richard_Serra
gptkb:Diana_Weymar
gptkb:Aimee_Mullins
|
|
gptkbp:cinematography
|
gptkb:A._J._Edwards
|
|
gptkbp:color
|
gptkb:color
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
influenced contemporary art
influenced film
influenced performance art
|
|
gptkbp:director
|
gptkb:Matthew_Barney
|
|
gptkbp:distributor
|
gptkb:Kino_International
|
|
gptkbp:filming_location
|
gptkb:Borough
gptkb:Cannes,_France
gptkb:Los_Angeles
gptkb:Paris
gptkb:Utah
|
|
gptkbp:filmography
|
M. L. G. K. K. K.
|
|
gptkbp:genre
|
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Cremaster 30
|
|
gptkbp:influences
|
gptkb:Artist
gptkb:artwork
modern art
surrealism
|
|
gptkbp:inspiration
|
biological processes
mythological themes
Cremaster muscle
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:Matthew_Barney
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:part_of
|
gptkb:Cremaster_Cycle
|
|
gptkbp:premiere
|
gptkb:2002_Cannes_Film_Festival
|
|
gptkbp:production_company
|
gptkb:Artangel
|
|
gptkbp:release_year
|
gptkb:2002
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenings
|
digital
35mm
|
|
gptkbp:screenplay_by
|
gptkb:Matthew_Barney
|
|
gptkbp:themes
|
gptkb:mythological_figure
creation
gender
|