|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Matthew_Barney
|
|
gptkbp:art_style
|
gptkb:museum
symbolic imagery
elaborate sets
|
|
gptkbp:awards
|
gptkb:Best_Experimental_Film
|
|
gptkbp:budget
|
$1 million
|
|
gptkbp:cast
|
gptkb:Matthew_Barney
gptkb:Eve_Sussman
gptkb:Paul_Mc_Carthy
gptkb:Richard_Serra
gptkb:Aimee_Mullins
|
|
gptkbp:cinematography
|
gptkb:A._J._Edwards
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
academic studies
influenced contemporary art
inspired other filmmakers
discussion of sexuality
discourse on masculinity
|
|
gptkbp:director
|
gptkb:Matthew_Barney
|
|
gptkbp:distributor
|
gptkb:Kino_International
|
|
gptkbp:genre
|
gptkb:film
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
digital download
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Cremaster 16
|
|
gptkbp:influences
|
gptkb:Artist
gptkb:artwork
gptkb:film
surrealism
|
|
gptkbp:language
|
English
|
|
gptkbp:music
|
gptkb:Jonathan_Bepler
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:part_of
|
gptkb:Cremaster_Cycle
|
|
gptkbp:premiere
|
gptkb:2002_Cannes_Film_Festival
|
|
gptkbp:production_company
|
gptkb:Mathew_Barney_Studio
|
|
gptkbp:release_year
|
gptkb:2002
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenings
|
gptkb:art_gallery
universities
film festivals
special events
independent theaters
|
|
gptkbp:themes
|
gptkb:mythological_figure
gptkb:organization
creation
sexuality
artistic process
|