|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Matthew_Barney
|
|
gptkbp:awards
|
gptkb:Best_Experimental_Film
|
|
gptkbp:budget
|
$1 million
|
|
gptkbp:cast
|
gptkb:Matthew_Barney
gptkb:Paulina_Porizkova
gptkb:Eve_Sussman
gptkb:Richard_Serra
gptkb:Aimee_Mullins
|
|
gptkbp:cinematography
|
gptkb:Darius_Khondji
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:director
|
gptkb:Matthew_Barney
|
|
gptkbp:distributor
|
gptkb:Kino_International
|
|
gptkbp:genre
|
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Cremaster 14
|
|
gptkbp:influences
|
gptkb:Artist
gptkb:soundtrack
gptkb:artwork
gptkb:film
surrealism
|
|
gptkbp:language
|
English
|
|
gptkbp:music
|
gptkb:Jonathan_Bepler
|
|
gptkbp:notable_appearance
|
gptkb:The_Ballad_of_the_Green_Berets
gptkb:The_Ascension
gptkb:The_Rite_of_Spring
The Final Scene
The Birth of the New Man
|
|
gptkbp:part_of
|
gptkb:Cremaster_Cycle
|
|
gptkbp:premiere
|
gptkb:2002_Cannes_Film_Festival
|
|
gptkbp:production_company
|
gptkb:Mathew_Barney_Productions
|
|
gptkbp:release_year
|
gptkb:2002
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenings
|
gptkb:Whitney_Museum_of_American_Art
gptkb:Los_Angeles_County_Museum_of_Art
gptkb:Centre_Pompidou
gptkb:Tate_Modern
gptkb:Museum_of_Modern_Art
|
|
gptkbp:themes
|
gptkb:mythological_figure
gptkb:organization
creation
sexuality
artistic process
|