|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Matthew_Barney
|
|
gptkbp:art_style
|
highly stylized
|
|
gptkbp:awards
|
gptkb:Best_Experimental_Film
|
|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:budget
|
$1 million
|
|
gptkbp:character
|
gptkb:The_Girl
gptkb:The_Queen
gptkb:The_Boy
The Entered Apprentice
The Master Mason
|
|
gptkbp:cinematography
|
gptkb:Darius_Khondji
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:director
|
gptkb:Matthew_Barney
|
|
gptkbp:distributor
|
gptkb:Kino_International
|
|
gptkbp:filming_location
|
gptkb:Borough
gptkb:Utah
|
|
gptkbp:genre
|
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Cremaster 11
|
|
gptkbp:influenced_artists
|
gptkb:Joseph_Beuys
gptkb:Marcel_Duchamp
gptkb:Yoko_Ono
gptkb:Andy_Warhol
gptkb:Robert_Rauschenberg
|
|
gptkbp:influenced_by
|
modern art
surrealism
|
|
gptkbp:inspired_by
|
gptkb:architect
gptkb:ballet
gptkb:Film_noir
Pop culture
Cremaster muscle
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:Jonathan_Bepler
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:part_of
|
gptkb:Cremaster_Cycle
|
|
gptkbp:premiere
|
gptkb:2002_Venice_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Matthew_Barney
|
|
gptkbp:release_year
|
gptkb:2002
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:starring
|
gptkb:Matthew_Barney
gptkb:Richard_Serra
gptkb:Aimee_Mullins
|
|
gptkbp:symbolism
|
gptkb:Transformation
Creation myths
Masonic rituals
Cycles of life
Feminine and masculine
|
|
gptkbp:theme
|
gptkb:mythological_figure
gptkb:organization
creation
|