|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Matthew_Barney
|
|
gptkbp:awards
|
Best Experimental Film at the 1996 New York Film Festival
|
|
gptkbp:box_office
|
$200,000
|
|
gptkbp:budget
|
$1 million
|
|
gptkbp:cast
|
gptkb:Martha_Graham
gptkb:Matthew_Barney
gptkb:Catherine_Keener
gptkb:Paul_Mc_Carthy
gptkb:Richard_Serra
gptkb:Robert_Rauschenberg
gptkb:Maya_Deren
gptkb:Diana_Weymar
gptkb:Aimee_Mullins
|
|
gptkbp:cinematography
|
Kirk P. Thomas
|
|
gptkbp:color
|
gptkb:color
|
|
gptkbp:composer
|
gptkb:Matthew_Barney
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:director
|
gptkb:Matthew_Barney
|
|
gptkbp:distributor
|
gptkb:Kino_International
|
|
gptkbp:editor
|
Kirk P. Thomas
|
|
gptkbp:features
|
gptkb:artwork
|
|
gptkbp:genre
|
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Cremaster 1
|
|
gptkbp:influenced
|
gptkb:soundtrack
gptkb:art_installation
gptkb:artwork
gptkb:film
|
|
gptkbp:influenced_by
|
surrealism
|
|
gptkbp:language
|
English
|
|
gptkbp:notable_artists
|
gptkb:painting
gptkb:mythological_figure
cultural references
abstract forms
ritualistic elements
symbolic imagery
color symbolism
historical references
symbolic gestures
body art
surreal landscapes
textural contrasts
dream sequences
visual metaphors
layered imagery
kinetic movement
mythical references
feminine symbols
abstract narratives
art historical references
conceptual art elements
masculine symbols
|
|
gptkbp:part_of
|
gptkb:Cremaster_Cycle
|
|
gptkbp:premiere
|
gptkb:1996_Venice_Film_Festival
|
|
gptkbp:production_company
|
gptkb:Artangel
|
|
gptkbp:release_date
|
1996-01-01
|
|
gptkbp:release_year
|
gptkb:1996
|
|
gptkbp:runtime
|
60 minutes
|
|
gptkbp:themes
|
gptkb:mythological_figure
gptkb:organization
creation
sexuality
|
|
gptkbp:writer
|
gptkb:Matthew_Barney
|