|
gptkbp:instance_of
|
gptkb:opera
|
|
gptkbp:bfsLayer
|
5
|
|
gptkbp:bfsParent
|
gptkb:Venetian_opera
|
|
gptkbp:adaptation
|
gptkb:Film_adaptations
|
|
gptkbp:artist
|
gptkb:Juan_Diego_Flórez
gptkb:Thomas_Hampson
gptkb:Diana_Damrau
gptkb:Iestyn_Davies
gptkb:Renée_Fleming
|
|
gptkbp:choreography
|
Dance elements present
|
|
gptkbp:composer
|
gptkb:Claudio_Monteverdi
|
|
gptkbp:critical_reception
|
Highly regarded by critics
|
|
gptkbp:cultural_impact
|
Influenced later operas
|
|
gptkbp:famous_quote
|
“ I will be your queen.”
|
|
gptkbp:genre
|
dramma musicale
|
|
gptkbp:historical_context
|
Political intrigue in Ancient Rome
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Coronation of Poppea
|
|
gptkbp:influence
|
Baroque opera
|
|
gptkbp:inspiration
|
Inspired by historical events
|
|
gptkbp:language
|
gptkb:Italian
|
|
gptkbp:librettist
|
gptkb:Giovanni_Francesco_Busenello
|
|
gptkbp:music_style
|
Early Baroque
|
|
gptkbp:notable_appearance
|
Coronation scene
Final duet
Nero's soliloquy
Poppea's entrance
Seneca's death
|
|
gptkbp:notable_character
|
gptkb:Poppea
gptkb:Native_American_tribe
gptkb:Nero
Ottone
|
|
gptkbp:notable_performance
|
Modern opera houses
|
|
gptkbp:notable_production
|
gptkb:The_Aix-en-Provence_Festival
gptkb:The_Salzburg_Festival
gptkb:The_Metropolitan_Opera
gptkb:The_Royal_Opera_House
gptkb:The_Glyndebourne_Festival
|
|
gptkbp:notable_recordings
|
gptkb:Decca_Records
|
|
gptkbp:notable_song
|
Pur ti miro
|
|
gptkbp:orchestration
|
Strings and continuo
|
|
gptkbp:premiere_date
|
1643
|
|
gptkbp:setting
|
gptkb:Province
|
|
gptkbp:thematic_element
|
gptkb:Love
gptkb:Ambition
gptkb:Betrayal
gptkb:superhero
gptkb:Desire
Manipulation
|