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gptkbp:instance_of
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gptkb:opera
gptkb:film
|
|
gptkbp:action
|
two acts
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|
gptkbp:adaptation
|
gptkb:film_adaptation
|
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gptkbp:adaptations
|
gptkb:film_adaptation
staged productions worldwide
|
|
gptkbp:awards
|
gptkb:Tony_Award_for_Best_Original_Score
gptkb:Pulitzer_Prize_for_Music
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|
gptkbp:based_on
|
gptkb:novel
|
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gptkbp:box_office
|
$1 million
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gptkbp:cast
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gptkb:Leonard_Warren
gptkb:Mildred_Miller
gptkb:Ruth_Ann_Swenson
gptkb:Eleanor_Steber
gptkb:Miriam_Fried
gptkb:Patricia_Neway
gptkb:William_Warfield
gptkb:George_London
gptkb:Robert_Rounseville
gptkb:John_Brownlee
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gptkbp:character
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gptkb:Magda_Sorel
gptkb:The_Child
gptkb:The_Man
gptkb:The_Mother
gptkb:The_Woman
gptkb:The_Guard
gptkb:The_Consul
gptkb:The_Police
The Refugees
The Secretary
Mr. Kofner
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gptkbp:characters
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gptkb:Magda_Sorel
gptkb:The_Child
gptkb:The_Mother
gptkb:The_Consul
The Secretary
Mr. Kofner
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gptkbp:cinematography_by
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gptkb:Oswald_Morris
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gptkbp:color
|
gptkb:Color
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gptkbp:composer
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gptkb:Gian_Carlo_Menotti
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gptkbp:country
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gptkb:United_Kingdom
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gptkbp:critical_reception
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generally positive
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gptkbp:cultural_impact
|
influenced later operas
influenced discussions on immigration policies
significant impact on American opera
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gptkbp:director
|
gptkb:Graham_Greene
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gptkbp:distributor
|
gptkb:20th_Century_Fox
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gptkbp:edited_by
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gptkb:John_Glen
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gptkbp:first_performance
|
1950
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|
gptkbp:first_released
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gptkb:opera
|
|
gptkbp:followed_by
|
gptkb:The_Comedians
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gptkbp:genre
|
gptkb:drama
dramatic opera
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|
https://www.w3.org/2000/01/rdf-schema#label
|
The Consul
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gptkbp:influenced_by
|
gptkb:World_War_II
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gptkbp:influences
|
gptkb:World_War_II
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gptkbp:inspiration
|
Menotti's experiences with immigration
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gptkbp:language
|
English
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gptkbp:librettist
|
gptkb:Gian_Carlo_Menotti
|
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gptkbp:libretto
|
gptkb:Gian_Carlo_Menotti
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gptkbp:main_character
|
gptkb:John_Sorel
gptkb:Magda_Sorel
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|
gptkbp:music_by
|
gptkb:Miklos_Rozsa
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gptkbp:music_style
|
20th-century classical music
|
|
gptkbp:notable_aria
|
' The Song of the Consul'.
' To This We've Come'.
The Song of the Consul
' The Song of the Nightingale'
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gptkbp:notable_performers
|
gptkb:Lucia_Aliberti
gptkb:Renata_Scotto
gptkb:Samuel_Ramey
gptkb:Thomas_Hampson
gptkb:Anna_Netrebko
gptkb:Diana_Damrau
gptkb:Joyce_Di_Donato
gptkb:Bryn_Terfel
gptkb:Anna_Moffo
gptkb:Natalie_Dessay
gptkb:Marilyn_Horne
gptkb:Angela_Gheorghiu
gptkb:Renée_Fleming
gptkb:Sumi_Jo
gptkb:Sondra_Radvanovsky
gptkb:Plácido_Domingo
gptkb:Luciano_Pavarotti
gptkb:Cecilia_Bartoli
gptkb:José_Carreras
gptkb:Patricia_Racette
gptkb:Barbara_Hendricks
gptkb:Kiri_Te_Kanawa
gptkb:Dmitry_Hvorostovsky
gptkb:Leontyne_Price
|
|
gptkbp:notable_production
|
gptkb:opera
|
|
gptkbp:number_of_acts
|
gptkb:3
|
|
gptkbp:orchestration
|
full orchestra
|
|
gptkbp:performance
|
approximately 2 hours
performed worldwide
|
|
gptkbp:premiere
|
gptkb:London
|
|
gptkbp:premiere_date
|
1950
September 15, 1950
|
|
gptkbp:premiere_location
|
gptkb:New_York_City
gptkb:Philadelphia
|
|
gptkbp:produced_by
|
gptkb:John_Brabourne
|
|
gptkbp:recordings
|
available on CD
multiple recordings available
available on vinyl
multiple studio recordings
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_year
|
gptkb:1970
|
|
gptkbp:revival
|
frequent revivals since premiere
|
|
gptkbp:runtime
|
110 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Graham_Greene
|
|
gptkbp:setting
|
an unnamed European country
|
|
gptkbp:starring
|
gptkb:Richard_Burton
gptkb:Claudia_Cardinale
|
|
gptkbp:style
|
gptkb:Modernist
|
|
gptkbp:thematic_element
|
gptkb:loss
gptkb:survival
gptkb:conflict
gptkb:government
gptkb:identity
gptkb:sacrifice
gptkb:family
love
freedom
hope
despair
|
|
gptkbp:theme
|
gptkb:totalitarianism
political oppression
|
|
gptkbp:themes
|
political oppression
|
|
gptkbp:bfsParent
|
gptkb:The_Nashville_Opera
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|
gptkbp:bfsLayer
|
3
|