Statements (50)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
film
|
| gptkbp:adaptation |
Adapted into a stage play.
|
| gptkbp:availableIn |
Blu-ray
DVD |
| gptkbp:awards |
Best_Director_at_Cannes_Film_Festival
|
| gptkbp:basedOn |
novel_by_Alberto_Moravia
|
| gptkbp:boxOffice |
$1.5 million
|
| gptkbp:characterDevelopment |
Focuses on Marcello Clerici.
|
| gptkbp:cinematographyBy |
Vittorio Storaro
|
| gptkbp:colors |
Color
|
| gptkbp:country |
gptkb:Italy
|
| gptkbp:criticalReception |
Highly acclaimed by critics.
|
| gptkbp:culturalImpact |
Considered a classic of world cinema.
|
| gptkbp:culturalSignificance |
Explores themes of betrayal.
Examines moral ambiguity. Reflects on personal vs. political identity. |
| gptkbp:directedBy |
Bernardo Bertolucci
|
| gptkbp:distributor |
gptkb:Columbia_Pictures
|
| gptkbp:filmingLocation |
Franco_Arcalli
|
| gptkbp:genre |
drama
political thriller |
| https://www.w3.org/2000/01/rdf-schema#label |
The Conformist
|
| gptkbp:influenced |
Cinematography techniques.
Filmmakers_like_Martin_Scorsese. |
| gptkbp:influencedBy |
gptkb:Italian_neorealism
Fascist ideology. |
| gptkbp:inspiration |
Political climate of 1930s Italy.
|
| gptkbp:language |
Italian
|
| gptkbp:musicBy |
Gato Barbieri
|
| gptkbp:notableFeature |
The wedding scene
The assassination scene The flashback sequences Golden_Globe_nominations. Nominated_for_Academy_Awards. |
| gptkbp:plot |
A man seeks to conform to the fascist regime.
|
| gptkbp:producedBy |
gptkb:Giuseppe_De_Santis
|
| gptkbp:releaseDate |
December 1970
|
| gptkbp:releasedIn |
1970
|
| gptkbp:remake |
Remade in 2005.
|
| gptkbp:runtime |
117 minutes
|
| gptkbp:screenplayBy |
Bernardo Bertolucci
|
| gptkbp:setIn |
gptkb:Italy
|
| gptkbp:setting |
Pre-World_War_II_Italy.
|
| gptkbp:starring |
gptkb:Ferdinando_Scarfiotti
gptkb:Jean-Louis_Trintignant gptkb:Dominique_Sanda |
| gptkbp:style |
Distinctive cinematography.
|
| gptkbp:theme |
Conformity
Identity Fascism |