|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:drama
gptkb:film
The Conformist (film)
|
|
gptkbp:adapted_into
|
gptkb:Bernardo_Bertolucci
|
|
gptkbp:audience
|
cult classic
|
|
gptkbp:author
|
gptkb:Alberto_Moravia
|
|
gptkbp:awards
|
gptkb:none
Best Foreign Language Film at the Academy Awards
|
|
gptkbp:based_on
|
gptkb:novel
The Conformist (novel)
|
|
gptkbp:based_on_work
|
gptkb:Alberto_Moravia
|
|
gptkbp:box_office
|
$2.5 million
$1.5 million
|
|
gptkbp:budget
|
$1.5 million
|
|
gptkbp:cast_member
|
gptkb:Ferdinando_Scarfiotti
gptkb:Stefania_Sandrelli
gptkb:Jean-Louis_Trintignant
gptkb:Alberto_Moravia
gptkb:Dominique_Sanda
|
|
gptkbp:character
|
search for identity
|
|
gptkbp:character_arc
|
transformation of Marcello Clerici
|
|
gptkbp:character_development
|
gptkb:complex
complex characters
psychological depth
|
|
gptkbp:character_motivation
|
desire for acceptance
|
|
gptkbp:character_relationships
|
gptkb:moral_ambiguity
complex dynamics
|
|
gptkbp:character_studies
|
deep psychological insights
|
|
gptkbp:cinematography
|
gptkb:narrative_structure
gptkb:Character_development
gptkb:Vittorio_Storaro
Emotional depth
Historical context
use of color
Symbolic imagery
Visual storytelling
Color palette
Cultural commentary
Use of light and shadow
Long takes
visual style
Complex camera movements
Psychological exploration
Symbolic framing
Vittorio Storaro's work
Symbolism in visuals
|
|
gptkbp:cinematography_by
|
gptkb:Vittorio_Storaro
|
|
gptkbp:color
|
gptkb:Color
|
|
gptkbp:conflict
|
internal conflict
societal expectations
moral conflict
|
|
gptkbp:country
|
gptkb:Italy
|
|
gptkbp:critical_analysis
|
examines moral ambiguity
|
|
gptkbp:critical_reception
|
Highly acclaimed
Positive reviews
positive
well-received
|
|
gptkbp:cultural_impact
|
critically acclaimed
cult following
Critically acclaimed
studied in film schools
influenced filmmakers
influential in cinema
Influential in cinema
|
|
gptkbp:cultural_references
|
Italian fascism
|
|
gptkbp:cultural_significance
|
reflects societal issues
Explores moral ambiguity
|
|
gptkbp:directed_by
|
gptkb:Bernardo_Bertolucci
|
|
gptkbp:director
|
gptkb:Bernardo_Bertolucci
|
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
|
|
gptkbp:edited_by
|
Franco Arcalli
|
|
gptkbp:element
|
the bicycle
|
|
gptkbp:features
|
gptkb:political_repression
gptkb:Fascism
identity crisis
|
|
gptkbp:film_awards
|
gptkb:Academy_Award_nomination
|
|
gptkbp:film_editing
|
Franco Arcalli
|
|
gptkbp:film_length
|
117 minutes
|
|
gptkbp:film_score
|
gptkb:Gato_Barbieri
Gato Barbieri's score
|
|
gptkbp:follows_character
|
gptkb:Marcello_Clerici
|
|
gptkbp:genre
|
gptkb:political_leaders
gptkb:drama
psychological novel
|
|
gptkbp:historical_context
|
pre-World War II Italy
|
|
gptkbp:historical_significance
|
depicts fascist ideology
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Conformist
|
|
gptkbp:influence
|
Italian literature
|
|
gptkbp:influenced
|
gptkb:The_Dreamers
gptkb:The_Lives_of_Others
gptkb:Cinema_Paradiso
gptkb:The_Great_Beauty
gptkb:The_Dreamers_(film)
gptkb:Call_Me_by_Your_Name
gptkb:film
subsequent filmmakers
|
|
gptkbp:influenced_artists
|
inspired future authors
|
|
gptkbp:influenced_by
|
gptkb:Fascist_Italy
gptkb:Italian_neorealism
gptkb:Fascism
The Italian cinema of the 1960s
|
|
gptkbp:influences
|
gptkb:The_Dreamers
gptkb:The_Godfather
gptkb:The_Last_Tango_in_Paris
gptkb:The_Last_Emperor
|
|
gptkbp:inspiration
|
Moravia's experiences in fascist Italy
|
|
gptkbp:isbn
|
978-8806172003
|
|
gptkbp:language
|
gptkb:Italian
|
|
gptkbp:literary_devices
|
stream of consciousness
|
|
gptkbp:literary_significance
|
explores themes of identity and morality
|
|
gptkbp:main_character
|
gptkb:Marcello_Clerici
|
|
gptkbp:motif
|
gptkb:identity
|
|
gptkbp:music_by
|
gptkb:Gato_Barbieri
gptkb:Georges_Delerue
|
|
gptkbp:narrative
|
omniscient narrator
|
|
gptkbp:narrative_style
|
third-person
|
|
gptkbp:narrative_theme
|
betrayal and loyalty
|
|
gptkbp:notable_awards
|
gptkb:David_di_Donatello_for_Best_Director
gptkb:David_di_Donatello_Awards
gptkb:BAFTA_Awards
gptkb:Golden_Globe_Award
Best Director at Cannes
Best Foreign Language Film Oscar nomination
Academy Award nomination for Best Foreign Language Film
BAFTA nomination for Best Foreign Language Film
|
|
gptkbp:notable_for
|
gptkb:character_development
political themes
visual style
|
|
gptkbp:notable_quote
|
" The past is a foreign country."
" You can't escape your past."
" I want to be normal."
" I am a conformist."
" What is normal?"
|
|
gptkbp:notable_scene
|
final confrontation
The final scene
The wedding scene
car scene
wedding scene
The assassination scene
|
|
gptkbp:notable_themes
|
gptkb:identity
Historical context
Political oppression
Personal conflict
sexual repression
political conformity
|
|
gptkbp:notable_visual_style
|
Stylized imagery
|
|
gptkbp:notable_work
|
gptkb:Alberto_Moravia
|
|
gptkbp:page_count
|
320
|
|
gptkbp:plot
|
linear
A man seeks to conform to the fascist regime.
|
|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:premiered_on
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Margherita_Buy
gptkb:Giuseppe_De_Santis
|
|
gptkbp:production_company
|
gptkb:Produzioni_Europee_Associati
|
|
gptkbp:protagonist
|
gptkb:Marcello_Clerici
|
|
gptkbp:published
|
1951
|
|
gptkbp:publisher
|
gptkb:Bompiani
|
|
gptkbp:reader_demographic
|
varied perspectives
thought-provoking
|
|
gptkbp:release_date
|
gptkb:1970
December 15, 1970
October 7, 1970
|
|
gptkbp:release_year
|
gptkb:1970
|
|
gptkbp:released_in
|
gptkb:1970
|
|
gptkbp:remake
|
gptkb:The_Conformist_(2019)
|
|
gptkbp:runtime
|
117 minutes
|
|
gptkbp:screenplay
|
gptkb:Bernardo_Bertolucci
|
|
gptkbp:screenplay_by
|
gptkb:Bernardo_Bertolucci
|
|
gptkbp:set_in
|
gptkb:Italy
|
|
gptkbp:setting
|
gptkb:Italy
|
|
gptkbp:starring
|
gptkb:Ferdinando_Scarfiotti
gptkb:Jean-Louis_Trintignant
gptkb:Dominique_Sanda
|
|
gptkbp:style
|
gptkb:Modernist
|
|
gptkbp:symbolism
|
conformity
|
|
gptkbp:theme
|
gptkb:Fascism
|
|
gptkbp:themes
|
gptkb:betrayal
gptkb:existentialism
gptkb:loyalty
gptkb:Betrayal
gptkb:identity
gptkb:Fascism
Conformity
morality
self-discovery
conformity
political oppression
|
|
gptkbp:time_period
|
1930s
|
|
gptkbp:translated_into
|
English
|
|
gptkbp:video_output
|
35mm
|
|
gptkbp:year
|
1930s
|
|
gptkbp:bfsParent
|
gptkb:Alberto_Moravia
gptkb:Nino_Rota
|
|
gptkbp:bfsLayer
|
4
|