Statements (84)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:television_series
|
| gptkbp:addresses |
issues of race and class.
|
| gptkbp:appears_in |
social media.
|
| gptkbp:created_by |
gptkb:Kelly_Loudenberg
|
| gptkbp:critical_reception |
mixed reviews.
|
| gptkbp:cultural_significance |
true crime.
|
| gptkbp:directed_by |
Kelly Loudenberg.
|
| gptkbp:discusses |
the impact of false confessions.
|
| gptkbp:documentary |
criminal justice.
challenges viewers' perceptions. |
| gptkbp:examines |
psychological pressure in interrogations.
|
| gptkbp:exhibition |
experts in criminal justice.
|
| gptkbp:fan_base |
discusses episodes online.
|
| gptkbp:features |
real-life cases
emotional testimonies. |
| gptkbp:first_aired |
gptkb:2017
|
| gptkbp:focuses_on |
interrogation techniques
|
| gptkbp:follows |
wrongful convictions
|
| gptkbp:genre |
gptkb:legal_case
|
| gptkbp:has_impact_on |
public opinion.
|
| gptkbp:has_influence_on |
public discourse on confessions.
|
| gptkbp:highlights |
the fallibility of the legal system.
|
| gptkbp:historical_debate |
police practices.
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Confession Tapes
|
| gptkbp:includes |
dramatic reenactments.
|
| gptkbp:influences |
public perception of the justice system.
|
| gptkbp:is_a_resource_for |
law students.
|
| gptkbp:is_analyzed_in |
its narrative style.
narrative structure. |
| gptkbp:is_associated_with |
the rise of true crime documentaries.
|
| gptkbp:is_available_for |
download on various platforms.
|
| gptkbp:is_available_in |
multiple languages.
|
| gptkbp:is_available_on |
streaming platforms.
|
| gptkbp:is_cited_in |
discussions about wrongful convictions.
|
| gptkbp:is_criticized_for |
sensationalism.
its portrayal of law enforcement. |
| gptkbp:is_discussed_in |
academic circles.
media studies. true crime podcasts. the ethics of true crime. |
| gptkbp:is_evaluated_by |
engaging storytelling.
its thorough research. |
| gptkbp:is_featured_in |
film festivals.
news articles. |
| gptkbp:is_influential_in |
shaping the true crime genre.
|
| gptkbp:is_known_for |
its investigative approach.
|
| gptkbp:is_often_associated_with |
discussions about media representation.
|
| gptkbp:is_often_compared_to |
Making a Murderer.
|
| gptkbp:is_often_used_in |
critics.
viewers interested in justice issues. |
| gptkbp:is_recognized_by |
its contribution to the genre.
|
| gptkbp:is_recognized_for |
its storytelling techniques.
impact on public awareness. |
| gptkbp:is_referenced_in |
other media.
|
| gptkbp:language |
English
|
| gptkbp:narrated_by |
gptkb:Jesse_L._Martin
|
| gptkbp:notable_event |
investigative journalism.
|
| gptkbp:notable_inductees |
awards in documentary categories.
|
| gptkbp:notable_work |
documentary filmmaking.
examines the complexities of confession. |
| gptkbp:number_of_episodes |
gptkb:6
|
| gptkbp:number_of_seasons |
gptkb:musical
|
| gptkbp:original_network |
gptkb:streaming_service
|
| gptkbp:population_trend |
true crime media.
|
| gptkbp:premise |
examines confessions that may have been coerced.
|
| gptkbp:produced_by |
gptkb:streaming_service
the United States. A& E Networks. |
| gptkbp:related_to |
The Central Park Five case.
The West Memphis Three case. The case of Brendan Dassey. The case of Steven Avery. |
| gptkbp:released |
August 10, 2017
|
| gptkbp:runtime |
approximately 45 minutes per episode.
|
| gptkbp:series |
true crime documentaries.
|
| gptkbp:subject |
academic research.
|
| gptkbp:target_audience |
true crime enthusiasts.
|
| gptkbp:television_show |
lineup.
|
| gptkbp:themes |
justice and injustice.
|
| gptkbp:uses |
archival footage.
|
| gptkbp:viewership |
popular among true crime fans.
|
| gptkbp:bfsParent |
gptkb:FX_Network
gptkb:The_Thin_Blue_Line |
| gptkbp:bfsLayer |
4
|