gptkbp:instanceOf
|
album
|
gptkbp:artist
|
gptkb:Miles_Davis
|
gptkbp:associatedAct
|
gptkb:Cannonball_Adderley
gptkb:Chick_Corea
gptkb:Herbie_Hancock
gptkb:Bill_Evans
gptkb:John_Coltrane
|
gptkbp:availableIn
|
Streaming_Services
|
gptkbp:awards
|
gptkb:Grammy_Award
|
gptkbp:covers
|
Album Cover Image
|
gptkbp:criticalReception
|
Highly Acclaimed
|
gptkbp:duration
|
3 hours 12 minutes
|
gptkbp:format
|
CD
|
gptkbp:genre
|
Jazz
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Complete Blue Note Recordings of Miles Davis
|
gptkbp:influences
|
gptkb:Modal_Jazz
gptkb:Cool_Jazz
Bebop
Hard Bop
Jazz Fusion
|
gptkbp:inspiration
|
Jazz Musicians
|
gptkbp:label
|
gptkb:Blue_Note_Records
|
gptkbp:legacy
|
Influential Jazz Album
|
gptkbp:length
|
3:12:00
|
gptkbp:notableEvent
|
gptkb:Miles_Ahead
gptkb:Sketches_of_Spain
Kind of Blue
Bitches Brew
In a Silent Way
|
gptkbp:notableFeature
|
gptkb:The_Complete_Columbia_Album_Collection
|
gptkbp:notableTracks
|
gptkb:Freddie_Freeloader
Round Midnight
So What
All Blues
Blue in Green
|
gptkbp:numberOfTeams
|
37
|
gptkbp:produces
|
Michael Cuscuna
|
gptkbp:recordings
|
Various Studios
1951-1959
|
gptkbp:releasedIn
|
gptkb:United_States
|
gptkbp:releaseYear
|
1999
|
gptkbp:remake
|
Yes
|
gptkbp:sells
|
Gold Certification
|
gptkbp:style
|
Jazz Standards
|