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gptkbp:instance_of
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gptkb:poet
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gptkbp:bfsLayer
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4
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gptkbp:bfsParent
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gptkb:The_Colonel
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gptkbp:addresses
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gptkb:musician
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gptkbp:author
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gptkb:Carolyn_Forché
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gptkbp:contains
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political commentary
graphic imagery
emotional weight
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gptkbp:evokes
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reflection
anger
empathy
|
|
gptkbp:examines
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gptkb:political_movement
moral responsibility
power dynamics
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gptkbp:explores
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gptkb:TV_series
gptkb:Magic:_The_Gathering_set
trauma
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gptkbp:focus
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gptkb:church
|
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gptkbp:form
|
free verse
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https://www.w3.org/2000/01/rdf-schema#label
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The Colonel (poem)
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gptkbp:impact
|
critically acclaimed
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gptkbp:influenced
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contemporary poets
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gptkbp:influenced_by
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gptkb:historical_event
personal experiences
|
|
gptkbp:inspired_by
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political turmoil
|
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gptkbp:is_analyzed_in
|
gptkb:literary_work
|
|
gptkbp:is_considered
|
important work
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gptkbp:is_part_of
|
poetic canon
|
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gptkbp:language
|
English
|
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gptkbp:literary_devices
|
symbolism
imagery
|
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gptkbp:narrative_style
|
first-person
|
|
gptkbp:notable_quote
|
“ There is no other way to say this.”
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|
gptkbp:part_of
|
American literature
|
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gptkbp:performed_by
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public readings
|
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gptkbp:published_by
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The Country Between Us
1981 anthology
|
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gptkbp:published_year
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gptkb:1981
|
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gptkbp:related_to
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poetry of witness
|
|
gptkbp:sales
|
resilience
suffering
harsh realities
|
|
gptkbp:setting
|
gptkb:El_Salvador
|
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gptkbp:stations
|
widely studied
|
|
gptkbp:style
|
conversational
|
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gptkbp:subject
|
human rights abuses
|
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gptkbp:theme
|
gptkb:war
violence
|
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gptkbp:translated_into
|
multiple languages
|
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gptkbp:utilizes
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gptkb:language
repetition
contrast
|