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gptkbp:instance_of
|
gptkb:play
|
|
gptkbp:adaptation
|
gptkb:The_Coast_of_Utopia_(film)
|
|
gptkbp:adapted_into
|
gptkb:historical_events
gptkb:film_adaptations
gptkb:radio_station
gptkb:audiobook
gptkb:Television_producer
gptkb:philosophy
biographies
radio plays
|
|
gptkbp:author
|
gptkb:Tom_Stoppard
|
|
gptkbp:awards
|
gptkb:Tony_Award_for_Best_Play
gptkb:Olivier_Award_for_Best_New_Play
|
|
gptkbp:composed_of
|
three parts
|
|
gptkbp:critical_reception
|
acclaimed
positive reviews
|
|
gptkbp:discusses
|
social change
collective action
individual freedom
|
|
gptkbp:explores
|
the nature of freedom
the role of the individual
the impact of ideology
|
|
gptkbp:explores_themes
|
gptkb:revolution
gptkb:politics
gptkb:philosophy
|
|
gptkbp:features
|
gptkb:philosophical_debates
gptkb:historical_figures
|
|
gptkbp:features_character
|
gptkb:Nikolai_Chernyshevsky
gptkb:Mikhail_Bakunin
gptkb:Alexander_Herzen
|
|
gptkbp:genre
|
gptkb:historical_fiction
|
|
gptkbp:has_influence_on
|
gptkb:literary_criticism
political discourse
artistic expression
modern theater
philosophical thought
|
|
gptkbp:has_influenced
|
gptkb:theater_productions
subsequent playwrights
|
|
gptkbp:has_performed_at
|
internationally
|
|
gptkbp:has_themes
|
gptkb:existentialism
realism
idealism
romanticism
utopianism
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Coast of Utopia
|
|
gptkbp:influenced_by
|
gptkb:historical_events
gptkb:Marxism
gptkb:Romanticism
Russian literature
Existentialism
literary movements
|
|
gptkbp:influences
|
gptkb:theater
Russian literature
political thought
|
|
gptkbp:inspired_by
|
gptkb:historical_figures
Russian history
real historical figures
|
|
gptkbp:is_available_in
|
digital formats
published script
|
|
gptkbp:is_available_on
|
gptkb:DVD
gptkb:Blu-ray
gptkb:streaming_platforms
|
|
gptkbp:is_considered
|
a significant work
|
|
gptkbp:is_divided_into
|
three parts
|
|
gptkbp:is_notable_for
|
its thematic depth
its character development
its historical context
its dialogue
its historical accuracy
its complex narrative structure
its rich character arcs
its exploration of Russian history
|
|
gptkbp:is_part_of
|
Stoppard's body of work
|
|
gptkbp:is_studied_in
|
gptkb:history_courses
literature courses
theater courses
theatrical studies
|
|
gptkbp:language
|
English
|
|
gptkbp:length
|
approximately 7 hours
|
|
gptkbp:notable_character
|
gptkb:Nikolai_Chernyshevsky
gptkb:Vera_Zasulich
gptkb:Mikhail_Bakunin
gptkb:Alexander_Herzen
gptkb:Dmitry_Pisarev
|
|
gptkbp:notable_characters
|
gptkb:Mikhail_Bakunin
gptkb:Vladimir_Belinsky
gptkb:Alexander_Herzen
gptkb:Nikolai_Ogarev
Anna Petrovna
|
|
gptkbp:notable_for
|
its character development
its dialogue
its historical accuracy
|
|
gptkbp:notable_production
|
2006 Broadway production
2007 London production
|
|
gptkbp:notable_quote
|
" The only thing that matters is the truth."
" We are all in the gutter, but some of us are looking at the stars."
|
|
gptkbp:notable_themes
|
gptkb:human_rights
gptkb:exile
gptkb:identity
gptkb:social_justice
freedom
|
|
gptkbp:part_of
|
gptkb:miniseries
gptkb:Shipwreck
gptkb:Voyage
Salvage
|
|
gptkbp:performance_style
|
three parts
|
|
gptkbp:performed_at
|
gptkb:Royal_National_Theatre
gptkb:National_Theatre,_London
|
|
gptkbp:performed_by
|
professional theater companies
amateur theater groups
|
|
gptkbp:performed_in
|
gptkb:theater
multiple languages
|
|
gptkbp:premiere_date
|
gptkb:2006
|
|
gptkbp:premiered_on
|
gptkb:2002
|
|
gptkbp:produced_by
|
gptkb:Lincoln_Center_Theater
|
|
gptkbp:published_by
|
gptkb:Faber_and_Faber
|
|
gptkbp:set_in
|
19th century Russia
|
|
gptkbp:style
|
epic theater
metatheater
|
|
gptkbp:themes
|
gptkb:revolution
gptkb:political_theory
intellectualism
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:written_by
|
gptkb:Tom_Stoppard
|
|
gptkbp:bfsParent
|
gptkb:Lincoln_Center_Theater
gptkb:The_61st_Annual_Tony_Awards
gptkb:Simon_Russell_Beale
gptkb:Bob_Crowley
gptkb:Tom_Stoppard
|
|
gptkbp:bfsLayer
|
4
|