|
gptkbp:instance_of
|
gptkb:band
gptkb:novel
gptkb:sculpture
gptkb:song
gptkb:short_story
gptkb:film
|
|
gptkbp:active_years
|
2010-present
|
|
gptkbp:active_years_start
|
gptkb:2000
|
|
gptkbp:adaptation
|
gptkb:film
loss of depth
simplification of themes
|
|
gptkbp:album
|
gptkb:Turn_Blue
|
|
gptkbp:associated_act
|
gptkb:Sandy_Alex_G
gptkb:Håkan_Hellström
|
|
gptkbp:author
|
gptkb:Dave_Eggers
|
|
gptkbp:awards
|
gptkb:Golden_Lion
Best New Artist Nomination
|
|
gptkbp:based_on
|
gptkb:The_Circle_(novel)
gptkb:novel
|
|
gptkbp:box_office
|
$40 million
|
|
gptkbp:budget
|
$18 million
|
|
gptkbp:cast
|
gptkb:John_Boyega
gptkb:Emma_Watson
gptkb:Tom_Hanks
gptkb:Karen_Gillan
gptkb:Bill_Paxton
|
|
gptkbp:chart_position
|
gptkb:Billboard_Hot_100
|
|
gptkbp:cinematography_by
|
gptkb:Matthew_Libatique
|
|
gptkbp:climax
|
Mae's realization
|
|
gptkbp:conflict
|
surveillance
privacy issues
corporate power
|
|
gptkbp:country
|
gptkb:Iran
gptkb:United_States
|
|
gptkbp:created_by
|
gptkb:David_Nash
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
discussion on technology
discussion on ethics
discussion on privacy
discussion on social media
|
|
gptkbp:dimensions
|
3.5 meters high
|
|
gptkbp:directed_by
|
gptkb:James_Ponsoldt
|
|
gptkbp:director
|
gptkb:James_Ponsoldt
gptkb:Jafar_Panahi
|
|
gptkbp:distributor
|
gptkb:STX_Entertainment
|
|
gptkbp:edited_by
|
gptkb:Jake_Roberts
|
|
gptkbp:exhibition
|
Permanent installation
|
|
gptkbp:film
|
gptkb:John_Boyega
gptkb:Emma_Watson
gptkb:Tom_Hanks
gptkb:Karen_Gillan
|
|
gptkbp:formation_date
|
gptkb:2010
|
|
gptkbp:genre
|
gptkb:rock
gptkb:Fiction
gptkb:drama
gptkb:dystopian_fiction
gptkb:thriller
alternative rock
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Circle
|
|
gptkbp:influence
|
modern literature
cultural commentary
|
|
gptkbp:influenced_by
|
natural forms
|
|
gptkbp:isbn
|
978-0345807298
|
|
gptkbp:label
|
gptkb:Nonesuch_Records
gptkb:Universal_Music
|
|
gptkbp:language
|
gptkb:Persian
English
|
|
gptkbp:length
|
3:32
|
|
gptkbp:location
|
gptkb:Kew_Gardens
Various locations
|
|
gptkbp:main_character
|
gptkb:Mae_Holland
|
|
gptkbp:material
|
gptkb:wood
|
|
gptkbp:members
|
gptkb:Jacob_Portrait
gptkb:Martin_Hederos
gptkb:Mikael_Hederos
gptkb:Mackenzie_Scott
gptkb:Sammy_Hagar
gptkb:Sandy_Alex_G
gptkb:Anders_Håkansson
gptkb:Håkan_Hellström
Johan Håkansson
Mikael Nordström
|
|
gptkbp:music_by
|
gptkb:Danny_Elfman
|
|
gptkbp:music_video
|
gptkb:The_Circle
gptkb:Yes
|
|
gptkbp:narrative_style
|
first-person
satirical
|
|
gptkbp:next_album
|
gptkb:Fever
Weight of Love
|
|
gptkbp:notable_album
|
gptkb:The_Circle
|
|
gptkbp:notable_song
|
Sommarnatt
|
|
gptkbp:origin
|
gptkb:Sweden
|
|
gptkbp:page_count
|
504
|
|
gptkbp:performed_by
|
gptkb:The_Black_Keys
|
|
gptkbp:plot
|
The struggles of women in contemporary Iranian society.
|
|
gptkbp:premiere
|
gptkb:Los_Angeles
|
|
gptkbp:producer
|
gptkb:Danger_Mouse
|
|
gptkbp:production_company
|
gptkb:Parkes+_Mac_Donald_Productions
gptkb:Image_Movers
gptkb:Playtone
|
|
gptkbp:protagonist
|
gptkb:Mae_Holland
|
|
gptkbp:publication_year
|
gptkb:2013
|
|
gptkbp:published_by
|
Knopf
|
|
gptkbp:published_in
|
gptkb:2001
|
|
gptkbp:publisher
|
Knopf
|
|
gptkbp:release_year
|
gptkb:2000
gptkb:2017
|
|
gptkbp:released_in
|
gptkb:2014
gptkb:2017
|
|
gptkbp:resolution
|
Mae's choice
|
|
gptkbp:screenplay_by
|
gptkb:Dave_Eggers
gptkb:James_Ponsoldt
|
|
gptkbp:setting
|
gptkb:Silicon_Valley
near-future
|
|
gptkbp:significance
|
environmental art
|
|
gptkbp:starring
|
gptkb:John_Boyega
gptkb:Emma_Watson
gptkb:Tom_Hanks
gptkb:Karen_Gillan
|
|
gptkbp:style
|
abstract
|
|
gptkbp:theme
|
gptkb:identity
gptkb:technology
gptkb:society
|
|
gptkbp:themes
|
gptkb:technology
privacy
surveillance
|
|
gptkbp:tour
|
gptkb:Europe
gptkb:North_America
|
|
gptkbp:website
|
thecircle.se
|
|
gptkbp:writer
|
gptkb:Dan_Auerbach
gptkb:Patrick_Carney
|
|
gptkbp:written_by
|
gptkb:David_Foster_Wallace
|
|
gptkbp:year_created
|
gptkb:1977
|
|
gptkbp:bfsParent
|
gptkb:1984
gptkb:Tom_Hanks
|
|
gptkbp:bfsLayer
|
3
|