Statements (52)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
novel
|
| gptkbp:adaptation |
stage play
graphic novel radio play film adaptation in development |
| gptkbp:artMovement |
allegory
social commentary irony foreshadowing characterization theme of survival |
| gptkbp:author |
gptkb:John_Wyndham
|
| gptkbp:character |
gptkb:David_Strorm
|
| gptkbp:communicationEquipment |
fear of the unknown
importance of communication value of diversity |
| gptkbp:conflict |
societal norms vs. individuality
|
| gptkbp:critical_reception |
well-received
|
| gptkbp:cultural_impact |
discussions on identity
discussions on morality discussions on community discussions on ethics discussions on family dynamics discussions on societal norms discussions on leadership discussions on evolution discussions on genetic engineering discussions on conformity discussions on acceptance discussions on fear of change discussions on prejudice |
| gptkbp:genre |
science fiction
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Chrysalids
|
| gptkbp:influence |
gptkb:television_series
young adult fiction speculative fiction dystopian literature science fiction films post-apocalyptic narratives |
| gptkbp:inspiration |
Wyndham's_experiences_in_World_War_II
|
| gptkbp:narrativeStyle |
first-person
|
| gptkbp:notableFeature |
gptkb:Sophie_Wender
gptkb:Joseph_Strorm gptkb:Mary_Strorm The Sealand Woman Gordon_Strorm |
| gptkbp:publishedBy |
1955
|
| gptkbp:setting |
post-apocalyptic society
|
| gptkbp:symbolism |
the Fringes
the telepathy the_Sealand_society |
| gptkbp:theme |
tolerance
|