Statements (52)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:Kodansha
|
gptkbp:associated_with |
American folk music
blackface |
gptkbp:audience |
white audiences
|
gptkbp:criticism |
cultural appropriation
racial stereotypes |
gptkbp:cultural_significance |
reflects racial attitudes
|
gptkbp:dissolved |
1900s
|
gptkbp:founded |
1843
|
gptkbp:founder |
gptkb:E._P._Christy
|
gptkbp:genre |
minstrelsy
|
gptkbp:historical_context |
post-Civil War America
pre-Civil War America |
https://www.w3.org/2000/01/rdf-schema#label |
The Christy Minstrels
|
gptkbp:influence |
American entertainment
|
gptkbp:inspired |
later minstrel troupes
|
gptkbp:is_popular_in |
gptkb:19th_century
|
gptkbp:legacy |
influenced vaudeville
|
gptkbp:location |
gptkb:United_States
|
gptkbp:notable_event |
influence on comedy
influence on performance art influence on rock music influence on sketch comedy influence on musical theater influence on country music influence on film musicals influence on television variety shows influence on street performance influence on stand-up comedy influence on jazz influence on cultural festivals first performance in New York City influence on blues influence on children's theater influence on community theater influence on educational theater influence on improvisational theater influence on radio shows touring Europe |
gptkbp:notable_member |
gptkb:George_Christy
gptkb:Dan_Emmett |
gptkbp:notable_performance |
first blackface minstrel troupe
|
gptkbp:notable_song |
gptkb:Oh_Susanna
gptkb:Dixie gptkb:Camptown_Races |
gptkbp:performance_style |
song and dance
staged performances |
gptkbp:related_to |
gptkb:American_theater
American music history |
gptkbp:style |
gptkb:musical_comedy
|
gptkbp:bfsParent |
gptkb:Stephen_Foster
|
gptkbp:bfsLayer |
4
|