The Choephori

GPTKB entity

Statements (61)
Predicate Object
gptkbp:instance_of gptkb:play
gptkbp:bfsLayer 4
gptkbp:bfsParent gptkb:Clytemnestra
gptkb:Aeschylus
gptkbp:adaptation gptkb:films
gptkb:opera
various modern productions
various modern plays
gptkbp:adapted_into gptkb:theatre
gptkb:films
gptkb:opera
gptkbp:character gptkb:Clytemnestra
gptkb:Furies
gptkb:Electra
gptkb:Orestes
gptkb:choir
gptkbp:critical_reception widely studied in literature courses
gptkbp:cultural_impact influenced Western literature
studied in literature courses
performed in theaters
gptkbp:cultural_significance explores themes of morality
reflects ancient Greek values
examines the consequences of revenge
addresses the role of the gods in human affairs
important in the study of Greek tragedy
contributes to the understanding of the Oresteia trilogy
gptkbp:first_performance 458 BC
gptkbp:follows gptkb:Agamemnon
gptkbp:genre gptkb:earthquake
gptkbp:historical_context post-Trojan War
https://www.w3.org/2000/01/rdf-schema#label The Choephori
gptkbp:influenced_by gptkb:mythological_figure
gptkbp:inspired_by earlier myths
gptkbp:language gptkb:City
gptkbp:notable_performance performed in the 20th century
performed in the 21st century
performed at the Festival of Dionysus
gptkbp:notable_quote " The dead are not dead."
" The Furies are coming!"
" Justice is a great power."
" The avenger of blood."
gptkbp:part_of gptkb:Oresteia
gptkbp:performed_by gptkb:ancient_Greece
various theater companies
gptkbp:precedes gptkb:The_Eumenides
gptkbp:premiered_on 458 BC
gptkbp:published_by various collections of Aeschylus' works
gptkbp:scholarly_analysis analyzed for its historical context
analyzed for its character development
analyzed for its themes of justice
analyzed for its dramatic structure
analyzed for its use of chorus
gptkbp:setting gptkb:Argos
gptkbp:symbolism family loyalty
divine retribution
bloodshed
gptkbp:themes gptkb:justice
gptkb:revenge
gptkb:Order
gptkbp:translated_into many languages
gptkbp:written_by gptkb:Aeschylus