gptkbp:instanceOf
|
novel
|
gptkbp:adaptation
|
film
film adaptation
|
gptkbp:artMovement
|
realism
social criticism
|
gptkbp:author
|
gptkb:Thomas_Keneally
|
gptkbp:awards
|
gptkb:Miles_Franklin_Award
|
gptkbp:character
|
gptkb:Jimmie_Blacksmith
|
gptkbp:characterDevelopment
|
Jimmie's_transformation
|
gptkbp:conflict
|
cultural conflict
|
gptkbp:country
|
gptkb:Australia
|
gptkbp:criticalReception
|
well-received
|
gptkbp:culturalImpact
|
explores themes of revenge
examines colonialism
discusses Aboriginal issues
|
gptkbp:filmFestival
|
gptkb:Thomas_Keneally
|
gptkbp:filmography
|
gptkb:Bruce_Smeaton
gptkb:Jack_Thompson
gptkb:Angela_Punch_McGregor
gptkb:Ian_Baker
gptkb:Tommy_Lewis
1978
AFI Award for Best Actor
Fred Schepisi
AFI Award for Best Adapted Screenplay
|
gptkbp:genre
|
historical fiction
|
gptkbp:historicalContext
|
gptkb:post-colonial_Australia
Aboriginal rights movement
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Chant of Jimmie Blacksmith
|
gptkbp:influencedBy
|
gptkb:Australian_literature
postmodernism
|
gptkbp:influences
|
Aboriginal culture
Australian_history
|
gptkbp:ISBN
|
978-0-340-19780-0
|
gptkbp:language
|
English
|
gptkbp:mainCharacter
|
gptkb:Jimmie_Blacksmith
|
gptkbp:narrativeStyle
|
third-person
omniscient narrator
|
gptkbp:pageCount
|
320
|
gptkbp:publishedIn
|
1972
|
gptkbp:publisher
|
gptkb:Hodder_&_Stoughton
|
gptkbp:setting
|
gptkb:Australia
|
gptkbp:symbolism
|
the land
the chant
the knife
|
gptkbp:theme
|
identity
racism
violence
|