|
gptkbp:instance_of
|
gptkb:play
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:The_Absurdist_movement
gptkb:Eugene_Ionesco
gptkb:Eugène_Ionesco
gptkb:theater_of_the_absurd
gptkb:Theater_of_the_Absurd
gptkb:Theatre_of_the_Absurd
|
|
gptkbp:adaptation
|
gptkb:radio_station
gptkb:film
|
|
gptkbp:associated_act
|
two
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:character
|
gptkb:Old_Woman
Old Man
|
|
gptkbp:character_development
|
minimalist
|
|
gptkbp:character_relationships
|
Old Man and Old Woman
interaction with invisible guests
|
|
gptkbp:critical_reception
|
widely acclaimed
|
|
gptkbp:cultural_impact
|
influenced modern theatre
|
|
gptkbp:cultural_significance
|
iconic in absurdist theatre
|
|
gptkbp:director
|
gptkb:Victor_Garcia
gptkb:Peter_Brook
|
|
gptkbp:first_performance
|
gptkb:Düsseldorf
|
|
gptkbp:genre
|
Absurdist theatre
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Chairs
|
|
gptkbp:influence
|
gptkb:Theatre_of_the_Absurd
|
|
gptkbp:influenced
|
postmodern theatre
subsequent absurdist works
|
|
gptkbp:inspired_by
|
Ionesco's experiences
|
|
gptkbp:language
|
gptkb:French
|
|
gptkbp:notable_performance
|
gptkb:Theater_for_the_New_City
gptkb:The_Gate_Theatre
gptkb:La_Ma_Ma_Experimental_Theatre_Club
gptkb:The_Old_Vic
gptkb:The_National_Theatre
gptkb:The_Royal_Exchange_Theatre
|
|
gptkbp:notable_production
|
gptkb:Theater_de_la_Huchette
gptkb:Royal_Court_Theatre
|
|
gptkbp:notable_quote
|
" We are not alone."
" The chairs are for the guests."
|
|
gptkbp:official_language
|
gptkb:French
|
|
gptkbp:performance
|
approximately 90 minutes
minimalist staging
|
|
gptkbp:premiered_on
|
gptkb:1952
|
|
gptkbp:public_perception
|
provoked thought
challenged perceptions
|
|
gptkbp:published_by
|
1953
|
|
gptkbp:setting
|
an empty room
|
|
gptkbp:style
|
absurdist comedy
|
|
gptkbp:symbolism
|
communication failure
chairs represent society
|
|
gptkbp:themes
|
gptkb:aircraft
gptkb:existentialism
loneliness
search for meaning
absurdity of life
|
|
gptkbp:written_by
|
gptkb:Eugène_Ionesco
|