|
gptkbp:instance_of
|
gptkb:play
gptkb:film
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:streaming_service
gptkb:George_Strait
gptkb:David_Hockney
|
|
gptkbp:adaptation
|
gptkb:television_series
|
|
gptkbp:availability
|
gptkb:DJ
film festivals
streaming services
|
|
gptkbp:based_on
|
real academic experiences
|
|
gptkbp:box_office
|
gptkb:unknown
|
|
gptkbp:cast
|
gptkb:Diane_Wiest
gptkb:John_Paul_O'_Leary
gptkb:Murray_Mednick
gptkb:Robert_L._Mc_Donald
David Hurst
|
|
gptkbp:cinematography
|
gptkb:Robert_A._Haller
gptkb:Gavin_O'_Connor
|
|
gptkbp:composer
|
gptkb:David_Amram
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
mixed
|
|
gptkbp:cultural_impact
|
influenced modern theatre
studied in drama schools
inspired other playwrights
performed in various adaptations
reference in literature
|
|
gptkbp:directed_by
|
gptkb:Amanda_Peet
|
|
gptkbp:director
|
gptkb:Murray_Mednick
|
|
gptkbp:distribution
|
gptkb:streaming_service
|
|
gptkbp:distributor
|
gptkb:New_World_Pictures
|
|
gptkbp:duration
|
30 minutes
|
|
gptkbp:edited_by
|
Jesse Kline
|
|
gptkbp:editor
|
gptkb:Robert_A._Haller
|
|
gptkbp:explores
|
issues of race
issues of gender
higher education issues
issues of race and gender
issues of academia
|
|
gptkbp:features
|
gptkb:University
diverse characters
|
|
gptkbp:film_festival
|
gptkb:film_festival
gptkb:Toronto_International_Film_Festival
gptkb:New_York_Film_Festival
|
|
gptkbp:filming_location
|
gptkb:Los_Angeles
|
|
gptkbp:focuses_on
|
academic challenges
|
|
gptkbp:follows
|
academic challenges
academic life
|
|
gptkbp:genre
|
gptkb:High_School
|
|
gptkbp:has_awards
|
gptkb:award
gptkb:Producers_Guild_of_America_Awards
gptkb:Critics'_Choice_Television_Awards
|
|
gptkbp:has_cameo
|
notable actors
|
|
gptkbp:has_episodes
|
gptkb:6
|
|
gptkbp:has_song
|
gptkb:Ludovico_Einaudi
|
|
gptkbp:has_theme
|
gptkb:TV_series
ethics
morality
power dynamics
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Chair
|
|
gptkbp:influences
|
gptkb:Harold_Pinter
gptkb:Eugene_Ionesco
gptkb:Alexander_Chekhov
gptkb:Samuel_Beckett
gptkb:Tennessee_Williams
|
|
gptkbp:inspired_by
|
academic controversies
|
|
gptkbp:is_about
|
challenges in academia
|
|
gptkbp:is_available_on
|
gptkb:streaming_platforms
|
|
gptkbp:is_considered
|
a significant work
|
|
gptkbp:is_discussed_in
|
gptkb:academic_circles
gptkb:media_outlets
|
|
gptkbp:is_evaluated_by
|
gptkb:soundtrack
gptkb:artwork
acting
writing
cinematography
production design
|
|
gptkbp:is_influenced_by
|
real-life events
|
|
gptkbp:is_popular_in
|
critics
viewers
|
|
gptkbp:language
|
English
|
|
gptkbp:notable_for
|
its emotional depth
its humor
its character development
its dialogue
its portrayal of academia
|
|
gptkbp:premiered_on
|
gptkb:2020
|
|
gptkbp:produced_by
|
gptkb:streaming_service
|
|
gptkbp:production_company
|
gptkb:The_New_York_Theatre_Ensemble
|
|
gptkbp:received
|
critical acclaim
|
|
gptkbp:release_year
|
gptkb:1970
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Murray_Mednick
|
|
gptkbp:set_in
|
gptkb:University
fictional university
|
|
gptkbp:themes
|
gptkb:aircraft
gptkb:TV_series
gptkb:existentialism
isolation
human relationships
|
|
gptkbp:writer
|
gptkb:Murray_Mednick
|
|
gptkbp:written_by
|
gptkb:James_Graham
|