|
gptkbp:instance_of
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gptkb:novel
|
|
gptkbp:bfsLayer
|
4
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gptkbp:bfsParent
|
gptkb:Martha_Hyer
gptkb:Alan_Ladd
|
|
gptkbp:adaptation
|
gptkb:film
gptkb:film_series
mixed reviews
commercial success
remains a classic
successful film adaptation
|
|
gptkbp:allows
|
banned in some areas
|
|
gptkbp:audience
|
mixed reviews
|
|
gptkbp:author
|
gptkb:Harold_Robbins
|
|
gptkbp:awards
|
gptkb:none
nominated for BAFTA
nominated for Golden Globe
|
|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:broadcasts
|
gptkb:NBC
|
|
gptkbp:cast
|
gptkb:Rudy_Vallee
gptkb:Martha_Hyer
gptkb:John_Marley
gptkb:Barbara_Eden
gptkb:Carol_Lynley
gptkb:Lindsay_Wagner
gptkb:Karen_Black
gptkb:George_Peppard
gptkb:Robert_Culp
gptkb:David_Janssen
gptkb:Dina_Merrill
Eleanor Parker
|
|
gptkbp:character_arc
|
Jonas Cord's rise and fall
|
|
gptkbp:character_development
|
complex characters
|
|
gptkbp:character_relationships
|
complex dynamics
|
|
gptkbp:conflict
|
personal vs societal
|
|
gptkbp:controversy
|
violence
explicit content
sexual content
drug use
|
|
gptkbp:cover_art
|
gptkb:Robert_Mc_Ginnis
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
gptkb:significant
controversial themes
popular in the 1960s
|
|
gptkbp:cultural_references
|
used in various media
inspired other works
|
|
gptkbp:cultural_significance
|
reflects 1960s America
|
|
gptkbp:depicts
|
gptkb:betrayal
gptkb:film
romance
wealth and power
the film industry
|
|
gptkbp:director
|
gptkb:Edward_Dmytryk
|
|
gptkbp:film_series
|
gptkb:High_School
|
|
gptkbp:filmography
|
gptkb:Martha_Hyer
gptkb:Karen_Black
gptkb:Bob_Cummings
gptkb:George_Peppard
gptkb:Leigh_Taylor-Young
inspired several films
|
|
gptkbp:followed_by
|
gptkb:The_Dream_Merchants
|
|
gptkbp:genre
|
gptkb:Author
gptkb:High_School
|
|
gptkbp:historical_context
|
post-war America
|
|
gptkbp:historical_figure
|
references to real people
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Carpetbaggers
|
|
gptkbp:influence
|
gptkb:organization
|
|
gptkbp:influenced
|
gptkb:organization
|
|
gptkbp:influenced_artists
|
gptkb:Jackie_Collins
gptkb:F._Scott_Fitzgerald
gptkb:Danielle_Steel
gptkb:Ernest_Hemingway
gptkb:Sidney_Sheldon
many contemporary writers
inspired future writers
|
|
gptkbp:influenced_by
|
American culture
|
|
gptkbp:influences
|
American culture
|
|
gptkbp:inspiration
|
real-life events
real-life figures
|
|
gptkbp:inspired_by
|
real-life events
|
|
gptkbp:is_critical_for
|
examines morality
|
|
gptkbp:is_criticized_for
|
controversial themes
critique of capitalism
critique of Hollywood
|
|
gptkbp:is_motivated_by
|
desire for success
|
|
gptkbp:isbn
|
978-0-345-33973-0
978-0-345-33980-0
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
remains influential today
|
|
gptkbp:main_character
|
gptkb:Jonas_Cord
|
|
gptkbp:motif
|
power and greed
the American Dream
|
|
gptkbp:narrative_style
|
third-person
third-person narrative
|
|
gptkbp:narrative_theme
|
the cost of ambition
|
|
gptkbp:next_edition
|
gptkb:1961
|
|
gptkbp:notable_quote
|
" The only thing that matters is what you can get away with."
" The only thing that matters is success."
" The story of a man who had everything and lost it all."
|
|
gptkbp:number_of_episodes
|
gptkb:4
240 minutes
|
|
gptkbp:page_count
|
400
|
|
gptkbp:plot_twist
|
unexpected developments
|
|
gptkbp:published_by
|
gptkb:1961
|
|
gptkbp:published_year
|
gptkb:2001
|
|
gptkbp:publisher
|
gptkb:Bantam_Books
gptkb:G._P._Putnam's_Sons
|
|
gptkbp:reader_demographic
|
popular among readers
adult audience
|
|
gptkbp:release_year
|
gptkb:1964
gptkb:1970
gptkb:1978
|
|
gptkbp:sales
|
over 5 million copies
|
|
gptkbp:sequel
|
gptkb:The_Dream_Merchants
|
|
gptkbp:series
|
standalone
|
|
gptkbp:setting
|
gptkb:United_States
gptkb:film
|
|
gptkbp:significance
|
considered a classic
best-selling novel
|
|
gptkbp:symbolism
|
the American Dream
carpetbagger
|
|
gptkbp:target_audience
|
adult readers
|
|
gptkbp:theme
|
gptkb:greed
gptkb:superhero
ambition
|
|
gptkbp:year
|
gptkb:20th_century
|